Interview on movie "15:17 to Paris" that made Clint Eastwood's party a gun shooting incident

Clint Eastwood's latest work released from Thursday, March 1, 2018 "To 15:17, to Paris"The theme of gun shooting incident in the international high-speed train Taris in 2015. Director Eastwood is continuously taking movies based on actual events as "American Sniper" "Miracle of the Hudson River", but this work further stepped in,Parties of the case himself appearedIt has become a work to be done.

Director Eastwood told loudly why he thought about making this case into a movie, and how to put the actual event in the movie. In addition, in the second half, the exchange of press conference that East Hawk director and the parties of the case appeared in the movie appeared are also posted. As director of Eastwood touches on the development of the work, if you want to go to the movies without knowing the outline of the incident, please read it after appreciation.

Movie "15:17 to Paris" Official Site
http://wwws.warnerbros.co.jp/1517toparis/

Q:
Before we start making movies, I think that there are many different scripts and ideas under Director Eastwood, from which we will finally select one work, but what kind of process is the process of selecting a work? Is it?

Clint Eastwood (Eastwood):
There is no particular way to do it. Screenplays and ideas come from many places. When reading or listening to a story, sometimes "that is an interesting story" comes out. If I find a possibility as a movie there, I start to see it differently. I'm going to find out what "I want to talk about and what style I want". But first, I just read and see what I'm up and aware of. Then, sometimes this is what appears in front of you.

For example,American SniperSo, although I was reading the book in advance, I did not read it as an original of the movie because I did not know that I would be in charge of planning the movie because it was for me to enjoy it myself did. Because I knew that someone else was trying to do it. Then, while reading the last chapter, Warner Brothers executive Greg Silberman called me. I asked, "Do you know about" American Sniper "?" I answered, "I know, I am reading right now, I am interesting as a reading material." Then, "I would like you to supervise". "Because Bradley and everybody wanted you to do a manager," as I returned, "I guess the director was already decided," because I did not expect myself to do it. So "OK, I'll do it, before that, please let me read this last chapter." After that, I reread the "American Sniper" again and asked me to send screen material (screenplay). Read the script that arrived, and add a little to it ... ... and it started.

"Miracle of the Hudson River"Was also different. An assistant on my desk stacked up a lot of scripts, one of which was "a title-undecided story about Sally Sallenberger, who caused the airplane to land in the Hudson River". I said, "I remember reading the incident in a newspaper very well." Especially because the photos that the passengers stood on the wings were remembered very much. Then, when I read the script, I thought that it was a really good story, this would be a visual rich movie, but also a challenging one at the same time. Because I thought that I had to place an airplane in the Hudson River or do something similar in another place.

So, "a fixed process" is "not". For me, there are no rules. Everything comes in a different way. Though years ago, I sent a project writer to me. It was about Brazilian police forces and said that the government is killing bad people for retaliation, thinking that the government is not functioning adequately. Later on, "Wilderness stranger"became.

After that, a book with a bad cover was sent. Someone placed it at my desk, but it was left intact for several weeks. By chance, someone read it and read it and said, 'This is the best Western wear I have ever read!', So I thought "Do you really wonder the screenplay for such a terrible cover?" that is"Outlaw"That's how it was.

In other words, it means that various things are born together in combination. Feeling feeling about something, someone bringing something. "Grand TurinAt the same time, before calling for work, I received a call regarding the screenplay, but the person in charge did not accept it. However, another staff member received the call, so the script would be sent and sometimes I liked it as soon as I read it.

Anyway, keep eyes and ears open. Things sometimes get bad are sometimes bad, but there are also very good ones. Among them, there are many interesting things. There is no equation that this rule is anything. If anything, the person who noticed the answer is rich. Even I do not know the answer, sometimes things work for things. People who work with me also have a good intuition. Everyone decides what to do.


Q:
In this work, the parties who encountered the incident are casting, but how did you decide to appear? They are non-union, but ....

Eastwood:
Initially, they were to be asked to participate as advisors, and they had several visits from Sacramento. I had a meeting with them, and in the next room I received the content of their story and asked the actor to act and did it. There was a good actor, but at one point, I asked "What do you think about being a person who plays themselves?" I missed that possibility. So far, I was a side army, but I used a person who is not an actor. They were likable and I thought that would be very interesting if I could do it. However, although I thought that it would be terrible if I could not do it exactly (laugh). They said "I'm going to do" and challenge, and that means I got a movie like this.

Q:
How was coped with actor's union, SAG (National Actor Association)? They are not in a union, do they?

Eastwood:
There is a Taft-Hartley law that sets rules to report non-union actors to the union, so there is no need to enter the union. There was no need to enter the union this time, but there was hope that they wanted to enter from the person, so I had them enter before shooting. So, there was no need to think about various things. Because I did the same thing before, I was already experienced.

Q:
What kind of things did you discover from the three people who actually experienced the incident during shooting? Did you ever have anything to anticipate? I am interested in what Eastwood studied from amateur them.

Eastwood:
For acting, many people do different approaches. When I was a young actor who came running out, I analyzed a variety of different techniques and read various books of acting. Most books are for teaching themselves, so they can not do exactly like mathematics. Acting is not an intellectual art form (art form), but an emotional one, because it is more suitable for the inside. Trying out "bringing yourselves", trial and error, while teaching, everyone finds themselves through their own minds in a different way. It is possible that it becomes useless if it thinks too much. So, in that subtle way, thinking enough, do not analyze too much.


In making this work, we set up various locations in Italy, began shooting, assistant director and producers contacted the people who came in the incident. When I say "Whether or not I want to appear in a work", people seem to have received shocks, but even female nurses, criminals who got into the train at that time, It was supposed to be pulled by me and took over the role of himself. Everyone, "I wanted to return" to that place. We also went to the scene, but everyone else was about the people who were at the time at the time.

(All lol)

Eastwood:
Besides me and the crew. So, enthusiasm was wonderful. Everyone did basically "reproduction" of Talisman shooting incident. I did it in the range that we could understand what happened. Despite being not there I was able to get closest to that condition. I said, "Please do what you did at that time, what did you do?" I took a picture as they did at that time. It is like having a secretary next to me and giving advice. And at the pace during shooting I got it done. Even if one of them lied down and did something else, I kept it as it was (laugh). But, including many extras, I enjoyed it. The criminal was armed firmly and had so many ammunition. I had 2 guns, 1 knife, 1 cutter knife, and if I could not stop the case at that time, I could have made it the worst event ever.

Q:
Director said earlier that acting was emotional rather than intellectual art form. Could you explain a little more about that?

Eastwood:
For example, you can not analyze as you are making cookies or something. You must reach its "original" using your imagination. If it is reasonable, the imagination will be hindered. What you feel about things is that the character feels about things. You must reproduce exactly what the character feels. In this case, they (the parties) were the characters themselves, so the problem did not happen. So, that "I will jump over the person in the middle." There is no exact "form", so it is difficult to explain this. Mathematics is easy to explain because there is an official ... ....

Q:
Returning to the basic question, "American Sniper", "Miracles of the Hudson River", and "Go to Paris at 15:17," are based on actual events. What made you move from fiction to reality? Why did you focus on real stories from fiction?

Eastwood:
I do not know "why". Even if you are told, "Why are you doing something? Why do you lift this now?", Because you want to do so, you can only say that. But most things are driven by a certain idea. In the case of three of this work, I was dependent on them to a certain extent. Instead of becoming a technical supervisor of the movie they became "themselves" again. At least, it seemed like challenging was logical. I was always preparing for cases in which they were serious. I could not understand what they would do or what they would do ... if it did not work I had to take another professional actor and I could possibly do it. But for me, I could not have the option of not trying to challenge myself to play with them.

Q:
I would like to ask you about the background of the terrorist incident. Very ordinary people are subject to terrorist attacks. In particular, America is more polarized, hating each other, more Hate Climb is happening. Do you think that this situation will create more terrorist attacks?

Eastwood:
I think that is what everyone is worried about. That's why it's worth talking about this story. Because it is a movie about a bad situation, because it was a story with a good ending. In the last few years, many of the things we saw had no good ending. What do you do when you are walking on the road, suddenly being hit by a track? However, at that timing, I just stayed in that place. In the case of the Talisman shooting incident, when they were right they did the right thing. They did not know why they did. "I just did it." That is interesting. It was a dangerous choice whether to hide behind something or jump out and do something. But one of them was a challenging option. I wish everyone should have that kind of power. But until I actually get into that situation, I never know if I will do so. It goes straight to the opponent with 300 weapons and arms like those used by the military ... It is a story that I can not write anything, but I can do it. That makes this story interesting. There was something that did not go well for the criminal just before a very bad thing happened. That is an interesting aspect of the story.

I do not know if I could have prevented the case as if someone else was present. No one of us knows what we can do. Perhaps most people will hide behind the table and behind the chair, and that is very sensible. But he stood up and ran straight. I asked him "What were you thinking at that time?" Then the answer was "anything". He did not think. When he was triggered he thought he thought he was "dead." But I noticed that it was a misfire and kept running. If it was not fault at that time, he would not have been alive.

Q:
What do you think about being misfired? Is it a miracle?

Eastwood:
I do not know anything about it, but I can think from a different angle. In other words, it may have been thought that it was "his fate", or a sublime force or something "is not now." Perhaps, everyone will interpret differently. I interpreted "I was simply misfired." But I think that fate may lead life in a certain direction. In retrospect, there were several occasions that seemed to have been saved, even in my life. Even when I was a child, there were various things that could have been terrible. I think that it is such a thing.


Q:
I heard that I was in Northern California when I was a child and had something in trouble at school. Did you feel sympathy during their childhood?

Eastwood:
I grew up in an era when the economic situation is not so good. Especially as the childhood economic situation was terrible, my parents often moved and I was transferring immediately. I had never stayed in a certain place somewhere until my thirties and forty generations. In those days I was learning to do different approaches to things because it was about two to three months, and at most six months at the same time with anyone. Everyone around me lived in the neighborhood, in accordance with the situation of family collapse, even if they were seen in various difficulties, they supported each other. It was such an era that everyone in the group was different, but even if it was destiny it was working on that kind of wind.

I went to Los Angeles City College and studied business administration at $ 15 per unit, but since I was in the army before that,Veteran Armor Assistance ActThanks to the support of $ 115 a month. However, I did not know where I was going. At that time, someone was told me "Would you like to go to the class of acting together?" At the beginning I said, "I do not want to go to the class of acting, what is it all about?", But finally I went to the lesson, "Oh, this looks interesting." So, I never know where I will be going. If that night I took a day off and said "I do not want to go because I am tired," everything would have changed. I think everyone has the same experience as this. "Why did it stop at the red light at that time, did not it stop over there?" I think that everyone can empathize. However, it is very hard to empathize to someone who headed for the criminal who had a gun in a shooting incident.

Q:
Do you think you could have done the same?

Eastwood:
I do not know (laugh). I do not want to try it.

(All lol)

Eastwood:
I am a strong advocate of gun safety. For example, directing a gun towards a safe one (laugh)

(All lol)

Q:
In this work, three people are drawn at nightclubs, taking Selphy and enjoying traveling in Europe for a long time. It has nothing to do with the story itself, but why did you use it for that depiction for nearly an hour?

Eastwood:
I do not know if it has important meaning, but since one of them has German nationality, I was trying to re-experience something. The other two were "I have never been to Europe, so let's go!" Many Americans hitchhikes, travels around Europe, travels to see various people and society. I do not think that I will spend a bad time in the process, and, of course, I do not have the option of not going. Because it is a peaceful country, "I'm just going". Sometimes you drink alcohol and meet people, sometimes even attractive women. They said that they were just boys. If you planned for gun battle in advance, they would have said "Let's stay home".

Q:
How long are you going to oversee the work of the future?

Eastwood:
I have no idea.

Q:
Are there any topics or themes you are interested in now?

Eastwood:
"Analyzing other people", that is my job. I just think about it. In this movie, it seems like a character of Spencer. Spencer received religious training when he was young and thought of words of prayer. So, at the end I will tell you the words of prayer written by St. Francis. Although I think that I am, Spencer probably thought that there was someone sublime like I was, (laugh) Such a person may have existed, it may not have existed.

Q:
Does the director are more interested in a story based on a true story?

Eastwood:
Exactly.

Q:
Will it continue in the future?

Eastwood:
... ... (silent)

Q:
How is performance? In the future, do you do it?

Eastwood:
If a good role comes around, there is a possibility. But, there are not many good roles. Sometimes something will come around so I always look for works. But I am doing it slowly. You do not have to go running, you decide after walking.

◆ Press Conference
In addition to Clint Eastwood's director, the state of a press conference with Mr. Anthony Sadler, Mr. Spencer Stone, Mr. Alek Scalatos, Mr. Jenna Fischer who was a film performer and actually was in the scene of the incident is.

chairperson:
Director Eastwood, this is definitely a truly wonderful story. What is it that was attractive to you until you thought about making this movie?

Eastwood:
I talked a lot about it in an interview, so I am tired already (lol) When I first read in the newspaper, I thought it was a wonderful story. And then, a couple of years ago, when I met three boys who played the leading roles in Culver City, they were wonderful people. Someone asked me to introduce the boys to the audience. That's why I did. Then, Spencer has suggested that she does not read a book ... No, I asked to read their books.

(All lol)

Eastwood:
Anyway, the Boys said they would send a draft of the book. At that time, the Boys were still on the process of writing a book. For me it all seemed interesting. I am always interested in "What makes people do what they are in life." Whether it is brave or stupid, or not it is not. But sometimes, they are both.

(All lol)

Eastwood:
I can say that for that matter. But anyway, I do not think too much. It is because it is not something you have to think carefully at all. I thought it would be interesting to tell this story when reading a book. After that, everyone interpreted the contents and started working to actually make it a movie. The idea of ​​using real three people seemed very interesting. And most importantly (while watching Jenna Fisher) is our Young lady. (Towards Jenna) Professional actors represented here played a major role. People who act with good habits have the idea of ​​what to do. The important thing was to prevent them from losing their "reality" that they could bring in to three boys and can not be brought in by professional actors. Because professional actors hate the idea of ​​"playing themselves". It is the most difficult. Boys do not know about myself from that perspective. On the other hand, I can talk freely. But the important thing was that three boys asked me to appear like a boys. In the case of Jenna and everyone (a professional actor), I interpret this and the role as necessary.

Q:
Three people were able to film, how did you feel about what Clint Eastwood supervised? Let's start with Anthony.

Anthony Sadler (Sadler):
Spencer called me and told me. He felt like "Who do you think was calling you?" I said "I do not know absolutely, who is it?" He said "I am Clint Eastwood." "What on earth is he wanting?" When asked again, "You are interested in reading a book and making a movie." I felt that there was nothing more exciting than that. When Clint told us "I want you to play ourselves", it was even better than that.


Q:
Spencer, how was that phone?

Spencer Stone (hereafter, Stone):
That was a surprise. There is no doubt (laugh). To be honest, I was relieved a lot. Because I knew that Clint properly expressed the goodness of our story and did it right. You do not have to make it too dramatic. We trusted Clint very much when we started the project, which was the most exciting thing.

Q:
Alex, what kind of thoughts came across your mind?

Alec Scalatos (hereinafter Skatlas):
Almost two people told me. I was relieved. I remember what Clint talked about doing our movies and agreed. I just saw the "miracle of the Hudson River". So I knew that Clint could do it. Because I knew that he was his specialty in recent years, I knew it would never be a disappointing movie. We were truly honestly excited because Clint was to be overseer and I was relieved.

Q:
Even if I talk to a professional actor, I say "I want to go out first to Mr. Eastwood's work" ... ... Jena, you want to get that kind of phone, are not you?

Jenna Fisher:
That's right. Everyone in the movie industry knows "Clint Eastwood is the person who wants to work most things." Since I got into your movie (towards Clint), all the actor friends said "It is true, it is often said" It is the most wonderful thing to work in Clint Eastwood movies " Are you asking me "What is it? And it's 100% true.

Eastwood:
Jena will be going out to four of my movies in the future.

(All lol)

Fischer:
I will do anything. Everyone heard it? I will see myself with 4 pieces. OK, I do not mind.

(All lol)

Q:
It is a question to three heroes. Please tell me about becoming an actor in Clint Eastwood movies. Is this occupation what you want from now?

Skatras:
At least we want to do the job of the actor by all means. Actors are a very new experience and we were very interested. That was very fun. At least it is inevitable to try and try to see where we lead us.

Stone:
Yeah. There was no doubt that the job of the actor was the most enjoyable two months in my life. If I can build a career 's career, I definitely like it. Also, the process of 'actor' was interesting. Because I felt I knew more about myself. And I was able to face the anxiety in myself. I pick the things that many people will forever show as an actor, or pick them up. And I could teach myself to forget about anxiety and not to worry. This experience was good for me in the long run.

Sadler:
Mr. Eastwood gave me confidence in trying acting on us. For us, it is because the actors are not within the range of possibilities. And, throughout the process, what he became our teacher gave me courage to act as an actor. After this movie, it gave us the confidence to chase "actors".

Q:
It is a question to three people. Is there any big difference between the original and the final script?

Sadler:
I think the book and the screenplay are very close. Because it was written based on a book and I got the opinion of our opinion in the script.


Q:
What kind of things do you want audiences to see when watching movies?

Sadler:
I expect the audience to convey that 3 people were ordinary men. We are not the only ones who have something special in ourselves. I hope people can find themselves by laying themselves on all of us or one of them. Also, I also hope to get inspiration from what we did, get over the obstacles of our lives, and let them know that we can do something special.

Stone:
Anthony has taken all the answers to their own.

(All lol)

Stone:
He told you that.

Skatras:
But I'd like to say "Books are somewhat funny." The book says "What happened that day" and our point of view about life as a whole, but the movie is a joint feeling that we all cooperatively created the final story. Indeed, we learned a lot about what happened that day through the process of film making. Through the research done by the producers of Malpaso. So I think the movie is doing a good job in telling stories as accurately as possible. In terms of accuracy, that was what we wanted.

Q:
Mr. Eastwood, we now hear the word hero well. Who is your hero? Did you try to analyze the concept of a hero with this movie? What makes ordinary people a hero?

Eastwood:
I do not know what makes a hero. That's exactly about this movie, or about this book, these people. Sacramento is an ordinary big city, I have lived twice when I was young, but I could not get used to it.

Q:
(All lol)

Eastwood:
that's right.

Stone:
I do not live in Sacramento right?

Eastwood:
There is no one who heads somewhere knowing what will happen to them, this is a fact. Going to a place without knowing what will happen. The world we live in now is a world where someone is driving a car, suddenly riding on the sidewalk and trying to run over. In this era, we are facing every strange thing. "If you are there, what would you do? If I was walking along the road of Barcelona, ​​what would it do if a car suddenly arrived?" And I noticed that I can not do anything for myself. Because fate is playing a part of it. That happened to the boys. If they were in different circumstances ... they became adults and joined the army. But I could not enter the troops I wanted to enter. Several situations that occurred there assigned him to the first aid worker. And he will really do a first aid in this incident. In addition to doing crazy things going towards those who turned their guns to themselves, they save the life of the people actually shot on the train. A lot of things happen in a very short time. Not only the boys, but other passengers also help a little. People can do tremendous things. If the religious spirit was strong, you might think that "Was there a god on me?" "Do you have an angel to protect?" Or "Is there something there?" There is a fickle fate and you are here. I will live with that. We all have to live with the events of this world and our destiny. But there is something interesting when something happens that is as traumatic as something like this. There were 300 to 400 people on Talis. There, a person carrying three weapons came in. I have ammunition that can hit at least hundreds of people. I could have been even worse, even on the worst day in history. But nobody died. That will make you think about your life. "How would you react if you were in that position?" No one knows that, and there is no answer. Until I actually do it myself. And they actually did it. So they probably have a slightly different view of things against things.

Q:
The movie is drawn from the childhood of the Boys and the small things that they have experienced depict how many years passed and it helped to save that day.

Eastwood:
Yeah.

Q:
A small incident when I was in school and what I learned with the army helped to save that day, right?

Spencer:
Yeah. There is no doubt. Through my life with Anthony, Alek's life, when I was a child, we always had something unfulfilled. It is slightly strange how our lives guided us in this direction. Surely, people can get there. Even if they do not feel happy with their present situation, at least they can do what they are doing now. Thinking that "what you are doing now, whether it is small or large, may be very useful later for you." I never know what will happen, when a certain skill or experience is needed.

Sadler:
I think it is important to show success and failure in the process. That makes this journey very real. In movies it is often the case that all the roads lead to success, but in our movie I think I can put myself on very real elements of success and failure. And sometimes, with such successes, failure also leads to the way you do not notice. It's part of a bigger picture of a journey named life. Really.

Q:
It is a question to Mr. Eastwood. They are the first time acting. Based on what you did, did you make a different approach to directing? It is also a question for three people. Did you dream of having yourself played before you realize you will play your part in yourself?

Eastwood:
Perhaps they should answer first.

(All lol)

Skatras:
I wanted Zach Ephron to play myself.

Stone:
Chris Hemsworth.

Sadler:
Michael B. Jordan.

Eastwood:
Clark Gable and Kelly Grant are also there.

Q:
Please tell me about your approach.

Eastwood:
How did I approach?

Q:
How was it different from what you have ever been?

Eastwood:
I guess it's taken a bit of guerrilla style. After I talked to the Boys about the technical aspects of the adventure that I would like to film, I knew the Boys and thought that they could do it one day. "It might be interesting, they may be able to bring in a" reality "which is difficult even for professional actors, you might be able to see wonderful acting." "If they can play their roles, the truth will come out." If they can relax and can relive the incident as it is. I thought that Boys could do a good job and indeed it was.

Q:
It is a question to Jenna. In the past, you touched on the question of being asked "at work with Clint Eastwood, is it true?" And, as I experienced it now, how does he shoot?

Fischer:
I do not know how to do it. Clint has to write a handbook (primer) for others to read. But first of all, when casted in a movie, there is "some sense". Clint is very reliable about myself, and there is not much that Clint has to do. It's a great feeling for actors to come to the scene. Trust from the director leads to self confidence as an actor. And then I remember the scene with Judy · Guria. When we are drinking coffee, Clint says, "You guys started talking to each other a bit, then start the scene." It was a very wonderful instruction. By doing so, the scene will not start with important lines, so it will make you feel a bit shed. The part of chat was not used, but the part that told us led us. It was a wonderful time to make everything else feel more natural.

Q:
Is it more organic?

Fischer:
Organic. That's right.

Eastwood:
I also do not understand.

(All lol)

Eastwood:
I have a little trick that I use. At the end of the scene, if I say "stop", then it is over. And if you do it again, or when you do a different shot, if I say "cut", it means originally the same as "stop" but the camera operator keep turning the camera. In other words, I keep turning the camera and see what people will do afterwards. There, I will always be fascinated. After "cut" everyone is feeling a little breathtaking, I start to do different things, but that is what I want "different things". Jenna said, the same as that of conversation. Talk to each other and as soon as you get out, "Well, let's do it." Do not do unnecessary things.

When I started acting, when I go to the studio I ring the bell, but the sound of that bell makes my ears completely unheard. People rise and shout, assistant director exclaims quietly "quietly!", But when looking around, no one is making a sound. But they are screaming "Quietly!" In the movie industry, such a crazy thing had become a habit. I can see those things appearing in movie making movies. In 'Sunset Boulevard' depicting movie making, you can see Cecil · B · Demir and everyone shouting, but shouting is not helpful. Everything has some calm and suddenly becomes a scene. If the bad guys came across the hill, perhaps you start shouting. In the past, all the scenes were, but that is not the case at the moment. Learn habits while age. I got it very well. If you come up with some ideas, I will continue with them. Experience is useful if you keep on working. In the case of Boys, we did not want us to have such knowledge. I wanted it to stay as it was. Professional actor, saying "Be yourself" towards a very good actor, they say "Who am I? I do not know." They do not know who they are. That's why I am an actor. I'm pretending to be someone else. It is particularly interesting to work with children. Children are the most wonderful actors in the world. But screaming "action", they are terrible.

(All lol)

Eastwood:
They are wonderful actors, but when they become adults, "Why are so wonderful children who are so wonderful, would be very bad at becoming actors of adults?" What happened? I think that. They become adult actors, they are thinking too much.

Q:
It is a question to three heroes. After this incident, I published a book and played a leading role in this movie. I think that you feel that you are living a life you did not imagine, but what do you want to do in the future, except for acting? Do you have any plans?

Skatras:
To be honest, I think we are just feeling that we are doing that day that day. Especially the life in the past two years was like a roller coaster. I could not even imagine what they would do next and I could not imagine what they thought they would do. If I look at these two years. So, we are trying to do it one day at a time. Then, I'll see where it goes. But, as you said, we will try acting without doubt. And I also do a little speech. Basically, tell the message about happening that day.

Stone:
Yeah. I expect everything I do in my life to be positive. But, as Alex said, we are living one day a day. If I learned something from Clint Eastwood, I just live that moment. Do not think too much ahead. Because, I am wasting time. I do not know what will happen tomorrow, I do not know what I will do. So, I concentrate solely on what is in front of me.

Sadler:
Mr. Eastwood gave us a new platform. Obviously, to play ourselves and to tell their stories. So basically we are in that space now. Besides trying to chase to do performance. There, we are trying to find out how to use the platform in a positive way and continue to encourage positive messages. Not only about this but also ourselves as an example.

Q:
Clint knows Italian well, but for the actors it is probably the first European trip to the people. How was your shooting in Rome? How was the Coliseum or France?

Sadler:
It was wonderful. I thought that I would take a movie in Burbank (laugh). I asked Mr. Eastwood "Boss, where are we shooting movies?" Then he said "I'm going on a trip again", so I became "I did it!"

Stone:
Rome was very cool for me. When I went there for the first time, I did not see anything because I was about to fold my ankle. And back again, I toured Rome on foot.

Skatras:
When we were shooting, in fact, I took pictures with Venice when I was in Lear and Germany. It was my first time in Venice for me, it was a very cool experience. I stayed at a nice hotel and ran around while shooting movies with Clint Eastwood and crew. It was a lot of fun.

Fischer:
I have a question. How was it to you emotionally to reproduce the moment on the train? I think it was a very difficult thing to experience it, but how was it to experience it again? Did anyone ask about that?

(All lol)

Skatras:
Actually, we heard a lot about it (laugh).

Sadler:
In almost every interview.

Fischer:
All right, keep going, so go ahead.

Skatras:
To be honest, I enjoyed myself very much.

Eastwood:
I also asked them the same question over and over again. Spencer says, "When you stood up, what was it like? What brought you straight to this guy who has AK - 47, one of the most horrible rifles you have now? Then he said "There is nothing". He did not think about something. And at last he heard that when he heard a misfortune he realized that he himself was alive again and realized that he was not killed. So there was a change in him for a while. But the usual people want to know those questions.

Stone:
Decent people are.

Eastwood:
And my first question to Mark and the Isabel on the train is "Are you acting like catharsis for these acting? Do you return to this and experience it again? It was that. The Boys were all OK saying "We will help them," but Mark was really shot and died. The bullet penetrated his back and went toward the neck to break the carotid artery. Of course, the carotid artery bleeds as though it were sifted. If everyone did not properly treat him, he was dead and he knew about it. But in regards to looking back, he said "of course." It was very appreciated that they took the offer of the movie and jumped to the opportunity to go back to the scene and experience again.

Q:
It is a question to Mr. Eastwood. In the boys' room in the first scene, a poster of "Full Metal Jacket" and the "Letters from Iwo Jima" you supervised was affixed. Is that based on the facts?

Eastwood:
How about whether or not the Boys truly posted a poster "Letters from Iwo Jima". I saw pictures of the Boys when I was traveling, but I think Alec was wearing Clint Eastwood's sweatshirt. So, the production designer Kevin Ishioka said, "Why is Clint Eastwood's sweatshirt, which is my hitchcock moment (Hitchcock's appearance on a cameo of his own movie)." So Kevin did it in one scene. It was not the same as the fact ....

Sadler:
We asked Clint to appear. I could not change Clint's opinion ....

(All lol)

Eastwood:
A man needs to know when it should be outside.

(All lol)

Q:
It is a question to Mr. Eastwood. Are you optimistic about the American new generation and future children?

Eastwood:
We feel like being in an abnormal era, but if you think too much you will feel depressed. But I have to go forward. This event has brought such a wonderful ending to such a thing, and it seems to be worthwhile to talk about.

The movie "15:17, To Paris" which Eastwood coaches near "the truth" of terror is released on March 1, 2018.

Movie '15: 17, To Paris' Japanese edition [HD] released on March 1, 2018 (Thu) - YouTube


◆ "15: 17, To Paris" (THE 15:17 TO PARIS) Information
Mar. 1 (Thu) Marunouchi Piccadilly, Shinjuku Piccadilly and other national road shows
Distribution: Warner Bros. Movie
Screening time: 1 hour 34 minutes
Designation: G
Cast: Anthony Sadler, Alek · Scalatos, Spencer · Stone, etc.

Director: Clint Eastwood ("American Sniper" "Letters from Iwo Jima" "Miracles of the Hudson River")
Screenplay: Dorothy Briscal
Photography: Tom Stern
Costume: Deborah Hopper
Edit: Blue Murray
Art: Kevin Ishioka
Original: Based on Anthony Sadler, Alec Scalatos, Spencer Stone, Jeffrey E. Stern "The 15: 17 to Paris: The True Story of a Terrorist, a Train, and Three American Heroes"
© 2018 WARNER BROS. ENTERTAINMENT INC., VILLAGE ROADSHOW FILMS (BVI) LIMITED AND RATPAC-DUNE ENTERTAINMENT INC.