Avu-chan and Mirai Moriyama from the Kansai Triumph appear in the stage greetings of the movie 'Inu-Oh' with director Masaaki Yuasa.
To commemorate the release of the theatrical anime '
Theatrical animation 'Inu-Oh'
https://inuoh-anime.com/
In such stage greetings, it is common for the facilitator to call the name and appear, but this time, according to the content of the work, the visitors are clapping their knees and hands with the music. Is now available.
Avu-chan & Mirai Moriyama & Masaaki Yuasa enter the movie 'Inu-Oh' stage greetings in 'Don Donpa'-YouTube
The uncut video of the talk part is below.
Movie 'Inu-Oh' stage greeting by Avu-chan & Mirai Moriyama & Masaaki Yuasa Talk part uncut --YouTube
The following is a rough summary.
MC, Midori Morikawa (hereinafter referred to as MC):
Well then, I will start this stage greeting from now on. First of all, I would like to say hello. Excuse me, Avu-chan, thank you.
Inu-Oh, Avu-chan (hereinafter referred to as Av):
This is the vocal av of 'Queen Bee' who played the role of Inu-Oh in the movie 'Inu-Oh'. Hello ~.
MC:
Thank you. Next, please give a greeting from Moriyama Mirai.
Mirai Moriyama, the role of friend fish (hereinafter referred to as Moriyama):
My name is Moriyama and I was allowed to play a friend fish. Thank you for today.
MC:
Thank you. Please tell us a lot about it. And it is director Masaaki Yuasa who picked up the megaphone. Please say hello.
Director Masaaki Yuasa (hereinafter referred to as Yuasa):
Hi, I'm Masaaki Yuasa who took the megaphone (laughs) Thank you for your time today.
MC:
thank you. Right now, I don't say 'I'll take a megaphone' (laughs)
Moriyama:
What about anime? (smile)
Avu:
Even in anime, it's a megaphone.
MC:
For the time being, it feels like a makurakotoba attached to the director.
Moriyama:
I agree.
Avu:
I thought it was really nice.
MC:
Yes, thank you.
Avu:
(To Director Yuasa) Do you have a megaphone?
Yuasa:
(Nodding while laughing)
Avu:
wonderful.
MC:
excuse me. Now, I would like to ask you various stories, but the stage of 'Inuou' is Kyoto. And today, as the name 'Greetings on the Triumphal Stage' comes from, I hear that Avu-chan, Mirai Moriyama, and Kobe are from Kobe.
Avu:
I agree.
Moriyama:
that's right. During this time, I was asked to put up a poster at Tower Records Kobe store, and we signed it, but Avu-chan said 'local.'
Avu:
Doing things like taking pictures unsafely.
Moriyama:
I was happy.
MC:
Then, let's ask about the memories of Kansai in order. How about Mr. Moriyama? Memories and feelings.
Moriyama:
Feelings for Kansai. Oops ...
Yuasa:
Because it's local.
Moriyama:
Well, of course, I have a feeling for it ... Well, I heard that an artist called Thundercat is coming to BIGCAT recently, so I couldn't get a ticket in Tokyo, so I really wanted to see it and came to the bar for one night and went to CAT for the first time in a while. I went home.
MC:
Come all the way to Shinsaibashi. If so, do you often come to Kansai?
Moriyama:
Well, it goes back and forth quite a bit.
MC:
How about Avu-chan?
Avu:
We are a band called 'Queen Bee', but this Kansai is the place that has been hit since the band was formed. I think Kansai is a 'comedy Gotham City'. From a small age, when I talked to my teacher about anything in the nursery school, I was told, 'Av-chan, isn't there a punch line?' I think there are some people who have had conversations without punch lines and have seen 'Oh, I don't have punch lines', but they all have the image of 'beating up'. When I come back, I think Kansai is 'quick talk'.
Moriyama:
Ochiphobia (phobia) and ...
Avu:
If you talk about punch lines, don't worry! Then I'm going to look for a punch line.
Moriyama:
Horrible (laughs)
Avu:
It's a scary town, I love it.
MC:
I'm not so conscious of punch lines when talking (laughs)
Avu:
But this is a saga. I think it's an app that everyone has.
MC:
Director Yuasa ...?
Yuasa:
I haven't received that kind of education ...
(Everyone laughs)
Yuasa:
The first feature-length director's work was ' Mind Game ', a movie set in Osaka, and I had a talk show with Katsuki Tanaka , Robin Nishi (the original author), and people from Osaka. 'Isn't it decided?' 'Oh, I found a character, so please go with that character.'
Avu:
Sparta
Yuasa:
Seiichi Yamamoto (in charge of music for 'Mind Game') is also in Osaka, so there are really only people in Osaka. I've also done some Kyoto works and I'm familiar with Kyoto, but Osaka is still a mecca for spice curry.
Avu:
(Director Yuasa) Because it's Curry Peapo.
Yuasa:
You really came, well.
MC:
Did you come to eat?
Yuasa:
Well, it's a dragonfly in one night.
Avu:
For curry?
Yuasa:
Like turning around. In Osaka, there is something like ' curry questioning '.
Avu:
'Curry questioning' ……?
Yuasa:
It's an event where many curry shops get together and eat various curries little by little.
MC:
Well, I didn't think it would lead to curry memories. Today was the 'Kansai Triumphal Stage Greeting', but this time, everyone will see the main story after this, so I think you are wondering what kind of development it will be. This work, which is characterized by an enthusiastic live scene that involves Kyoto, has a great image of 'going up', so can you tell that everyone has gone up recently?
Avu:
I often go up live, and I go up every day. I'm sure there are people who came to the concert. Of course, I saw this movie ... I saw it about 10 times yesterday, but it's new again. Personally, I'm correcting my teeth now.
Moriyama:
(smile)
Avu:
I think I'm talking about brushing my teeth many times (laughs), but I love teeth. It is said that 'the movement of teeth is slower than that of humans'. I wondered why, and when I took an X-ray, my teeth were so strong that I wasn't human.
Moriyama:
Teeth ... what do you mean?
Avu:
If a normal person grows this much, I'm growing this much (a hand gesture that shows that the roots of the teeth are long)
Moriyama:
Is it that long?
Avu:
I'm stabbed. When I heard that, I said, 'Well, I'm away from humans.' I also play a role that is far from human beings, and I thought 'Oh, that's good', so I went up quietly. At the dentist.
MC:
Go up at the dentist.
Avu:
It was quietly 'gogogogogo'.
MC:
By the way, Mr. Moriyama, do you have any episodes that were raised?
Moriyama:
When I came to see Thundercat live in Osaka the other day, I was in a live house for the first time in a while, and the regulations were gradually lifted, and the live performance itself was very good. It's been a long time since I shook.
MC:
I'm swaying to Honma (laughs)
Moriyama:
It was shaking It was shaking.
MC:
How about Director Yuasa?
Yuasa:
It's difficult, 'it goes up' ... When I was very young, when I was thinking that it wouldn't work as an animator, I did the first production job, and when I saw that it was insanely interesting and the viewer was very pleased, it seemed like a strange juice came out of my head. I feel it. Until then, I thought it was a job that wasn't suitable for me, but sometimes it changed 180 degrees like it was a vocation, and I still feel that I'm still continuing with that momentum.
MC:
That was a great opportunity.
Yuasa:
Well, I thought it was interesting and I thought it was fun (laughs)
MC:
It ’s amazing that life changes with that, is n’t it?
Avu:
Also, there was a time when it went up. The director and the two of us (Av & Moriyama) are often together for promotion this time, but for the first time I saw the director 'blue'. It's always white! When I said 'It's blue today', I said 'Well, there are times like that' (laughs).
Moriyama:
I will definitely match the shirt and knit.
Yuasa:
Well, there are times like that.
(Everyone laughs)
Avu:
It's going up ...
MC:
It's fashionable, director.
Yuasa:
Recently, I often appear in public and I don't have clothes, so I went to Parco for the first time to buy clothes. I thought Parco was a place that had nothing to do with me, but I bought it for the first time, courageously.
MC:
It sounds good. Did Avu-chan go up to the blue director?
Avu:
Earlier, I went up in the dressing room in the front room.
MC:
As I said earlier, Moriyama-san and the two of us said, 'Director is blue.'
Moriyama:
Oh yeah, that's the story.
Avu:
You're all watching amazing things, right?
MC:
It seems to be rare. By the way, there are a lot of scenes in the movie that I really want you to come up with, but it may be difficult to talk about it because you will see it from now on (the audience at the venue), but 'I really like this kind of place' I would like you to tell us a little about what each of you feels in 'Inu-Oh', such as 'I like this song' or 'I like this production'. I think it's all a 'highlight' for the director, but how about Director Yuasa?
Yuasa:
The stage that Inu-Oh does is picking up a new story of 'The Tale of the Heike', but it was really a shabby story, but 'No, I'm not like that, I'll never lose.' It's a story like 'I'll do something about it', so if you pay attention to the lyrics in the song, I think it's a story with a really powerful aggression. The dog kings do their best from the bottom. At that time, I don't know if it's weird, but I think it's exciting to have the feeling of raising your fists with those people, so I hope you'll pay attention to the lyrics. I think that.
MC:
What was the reason for the director to be involved in this work?
Yuasa:
The producer approached me ...
(Everyone laughs)
Avu:
There is a wonderful person with a strong arm, Mr. Takeuchi.
Yuasa:
From that time on, I've been planning with Mr. Takeuchi of Asmik Ace, who was in charge of advertising for 'Mind Game'. I think the same was true for ' Four tatami mats and half myths '.
MC:
Is that so. The world view of the work is really ... Is it the Muromachi period?
Yuasa:
Yes, I think it's good. It seems to be said in various ways during the Nanbokucho period, but since everyone is saying various things, I don't think there are any people who can say it clearly. I think it was in the Muromachi period.
MC:
…… But there are many things that really relate to the present age. The director mentioned the lyrics earlier, but I would like you to pay attention to that. Avu-chan does all the songs, so I think that a lot of passion is poured into the work.
Avu:
When I start raising it, it doesn't feel sharp, but I myself see it over and over again, maybe 10 times from the rush state, and even when it's completed, every time, 'Wow, it's amazing. I was wondering why I was wondering, and after seeing it yesterday, the director was nearby, so I talked about something like 'Here?', But the kind of grass that grows ...
Moriyama:
Oh ~
Avu:
Actually, it's not a flower language like this, but it has a meaning of plants. Also, there is a mob, but each person in the crowd says, 'Actually, I live like this, so now I have this kind of situation.' The reason why they are masked is that there were actually a lot of people like this in this era, and all of them had linings. Because of that, there is something I want to know beyond 'Wow, monster movie. Yaba, I ate', and while thinking 'I still don't understand this movie,' I, I thought I was watching it many times. When I see it for the first time, I think it will be very fresh, 'Wow' and 'Yaba', but if you like, I hope you will see a lot and explore a lot of your favorite points. My recommendation is to be happy.
MC:
I agree. The songs are amazing, aren't they?
Avu:
I agree.
MC:
yes.
Avu:
Song ... I think it would be better to talk about the song ...
(Everyone laughs)
Avu:
Regarding the song, I also wrote the lyrics for the Muromachi period for the first time because it was 'Repezen Muromachi', but even one of the lyrics was a memo that Director Yuasa and Akiko Nogi (screenplay) put in a dot. I was able to spun and write lyrics such as poems. Unlike what I'm doing in a band called 'Queen Bee', I was performing only with voice, so at first I thought 'Hmm, is it okay?' I did what I did, and I did what I did in my favorite director Yuasa's work, so I was able to mess around my shoulders, so please enjoy the whole swell of that 'feeling of banging'. For example, I'm happy about music.
Yuasa:
Recording was also a lot of fun.
Avu:
It was really fun.
Yuasa:
I'm going crazy (laughs) Avu-chan is the center and I'm steadily saying 'more next take, this'. There were a lot of really good takes, but I can only see one take.
Avu:
That's right ~
Moriyama:
At the time of my recording, Yuasa-san wasn't saying OK.
Yuasa:
First of all, Avu-chan (laughs)
Avu:
(Director) Everything is OK.
Moriyama:
First of all, whether Avu-chan is OK (laughs)
Avu:
Yes, I chose and spun a take such as 'Is this a fight selling?' Or 'Is this out of stock?'
Yuasa:
Well, recording was like recording live, so I feel like I've left it to you to do something like that 'staging' atmosphere.
Avu:
I was happy.
MC:
Does Mr. Moriyama say 'I'm impressed here'?
Moriyama:
After all, it's the very existence of Avu-chan, that is, Inu-Oh. It's the same with songs, and rather than returning the given songs and lyrics as songs, the lyrics are written by myself, and the score division is done together with Otomo (Yoshihide). You can see that Avu-chan's physical is riding here (pointing to the screen) as it is. Also, regarding the play part and voice, I really have seven colors of voice, so I've been doing it from childhood to adults, but I can't use the voice properly.
MC:
Oh ~
Moriyama:
Of course, it is the result of the efforts so far, and the potential that it originally has, or it has already mobilized various things.
Avu:
It's a solid compliment.
Moriyama:
No, no.
Avu:
Thank you. All the casts were swelling in Honma, and it was Mr. Mirai who sucked up my swell the most and formed a buddy. I haven't been dating for 10 years since I'm a good friend of Kobe, but I was able to move with animation while still having a wonderful relationship with my good friends and being a buddy.
Yuasa:
I agree. I want you to pay attention to Mr. Moriyama's song, because it's already slamming. Especially at the beginning, there is a little trick.
Avu:
Hey.
Yuasa:
I'm going back to the story from an ordinary classic song, but this is a fairly difficult order. Before that, he practiced pipa and sang, so I was able to do it a few times, but I want you to see that it's not easy. .. It's like singing well, or starting from a song.
MC:
Was it a request from the director? What is a story from a song?
Yuasa:
Well, I thought it wouldn't come together unless it was like that (laughs), but it's unreasonable.
MC:
How was Mr. Moriyama when you heard that?
Moriyama:
At that time, I didn't know what kind of music it would be and what kind of song I would sing, but (Tomoyo) was set up as Biwa Hoshi, so I was practicing with the introduction of the teacher. Biwa Hoshi picks up stories such as 'The Tale of the Heike' and travels all over Japan to tell the story to the people and dedicate it. Because it was, it is the way of Biwa Hoshi that 'it is a song and a story' is absurd. I wonder if it was good to be able to practice it. I really learned.
MC:
Please pay attention to that as well. I would like to talk more and more, but I am very sorry that the time is running out, but please give us your final message. Can I ask Avu-chan?
Av: It's very easy for us to give our name and say what we like, but there are many people, whether they're wearing clothes or using just one word. It's just that it's left over because it's been spun. I think that you will be able to see from now on that you can create such an interesting chaos by interpreting 'Inuou', whose name was left, while there are many things that did not remain. I felt that this movie was a 'monster', and I thought that I was called this time as the dog king of the most dangerous monster of magma, the core of that monster, so I took the plunge. I want you to see it again and again, and at the same time, if there is something that springs up on your way home, I'm really glad you participated in the work. Please enjoy. thank you.
MC:
Thank you. Then, Moriyama Mirai, please.
Moriyama:
This movie is called 'festival movie', but for the past few years, it has been quite difficult to meet people, share a place with everyone, and talk to each other. There are various ways to say 'post corona' and 'with corona', but I think everyone wants to meet people little by little and actually interact with them physically, and that's how it actually works. It's starting to move, and I think it's going to be a movie like the beginning of that. I hope you will take a bath with your body. Thank you very much.
MC:
Thank you. Then, I would like Director Masaaki Yuasa.
Yuasa:
I'm saying that people who listen to various lyrics will enjoy it, but when I make a movie, I always want to be released, so I hope that I can enjoy the movie as much as possible. I think that. The new translation of 'The Tale of the Heike' written by Hideo Furukawa is a story told by Biwa Hoshi, and it is this 'Inu-Oh' that wrote the story of the Biwa Hoshi and Noh performers. It's a movie that seems to have given life to people who didn't have the names of the Muromachi period, and Avu-chan and Moriyama-san gave their lives again. I think. Thank you very much for today.
MC:
Thank you.
At the end of this stage greeting, a photo session time was set up so that even the general public could take pictures, and Avu-chan decided various poses, saying, 'Take a nice picture and put it up nicely (on SNS).' rice field.
Avu-chan, Mirai Moriyama, and Masaaki Yuasa, who serve as a photo session for visitors to the movie 'Inu-Oh' stage greetings --YouTube
The 'Frenzy Musical Animation' movie 'Inu-Oh', which Avu-chan describes as a 'monster movie' and Moriyama-san as a 'festival movie,' is being released nationwide.
Theater animation 'Inu-Oh' main notice (60 seconds) May 28 (Sat) National road show! [Masterpiece ver.] --YouTube
©2021 “INU-OH” Film Partners
Distribution: Aniplex, Asmik Ace
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