25th anniversary commemorative interview told by eight people coloring the Taito sound team "ZUNTATA"

Taito's sound team "ZUNTATA"Celebrates its 25th anniversary, as a commemorative album"COZMO ~ ZUNTATA 25th Anniversary ~We will release. Twelve composers of the past ZUNTATA gathered together in the album of two CDs, and the first piece contains songs written completely as a new theme on the theme of COZMO (universe) as "FUTURE DISC". As the second piece is "LEGEND DISC", the composer has gathered Taito game music he / she has selected. Also, this time there is also a "CD Limited Edition" of 4 CDs, and there are two discs with discs containing uncompressed songs and ZUNTATA special talk recorded in addition to the above two pieces as a bonus It is attached.

To encourage this festival, eight members of the new and old ZUNTATA members gathered and gathered various story.

members are
· Director "ZUNTATA 25th Anniversary Project" COZMO "Ishikawa Katsuhisa(BABI)Mr.
· ZUNTATA ComposerSmall salt Hirosaki(COSIO)Mr.
· ZUNTATA ComposerTsuchiya ShoheMr.
· Free composerYasuhisa Watanabe(Yack.Mr.
· Representative Director Representative LeebYasuko Yamada (Yasko)Mr.
· Free composerFurukawa Norihiro(Senior Nakayama soldier / Nakayama Rinnai)Mr.
· Free composerKoji SakuraiMr.
· Free Composer · Sound DesignerKoji Uda(URI)Mr.
Eight people.

Table of contents
· Encounter with music and ZUNTATA members
· First time composing
· Game music · Inception triggered interest in game sound
· Episodes that were hard at ZUNTATA
· The future of ZUNTATA, those seeking people coming into ZUNTATA
· Current status of OB activities
· Meals supporting work

◆ Encounter with music and ZUNTATA members
GIGAZINE (hereinafter, G):
This time we are planning to cover about 8 new and old members gathering on the 25th anniversary of ZUNTATA. Before,Mr. Ishikawa, Mr. Oshio and Mr. Tsuchiya had a chance to speakI think that I will visit everyone about ZUNTATA this time this time. Thank you.

All together
Thank you.

A group of ZUNTATA rows in a row. Mr. Watanabe, Mr. Furukawa, Mr. Sakurai, Mr. Uda, Mr. Yamada, Mr. Ishikawa, Mr. Oshite and Tsuchiya from the left.


G:
First of all, I would like to ask you about how long you were familiar with music. For example, I was not playing piano, violin by learning, driving with a computer, or having never touched the instrument at all until I decided to play a game sound like this I think that it is.

Ishikawa Katsuhisa (hereinafter, Ishikawa):
We three people (Ishikawa, Oshio, Tsuchiya) spoke a lot last time, so we definitely want people from OB.

Yasuko Yamada (Yamada):
Well, as I was little I could not crack up with a computer because there was no computer time. About high school studentsTape mediaIt is about the generation of personal computers, but the piano is not doing it. To be surprised, high school went to the piano department, but I can not play anything now.


(All lol)

Yamada:
I'm serious, I do not know with the momentum "Where is it?" So I said carelessly that I was playing the piano, but please keep it secret.

Uda:
Which way? (Laugh)

Ishikawa:
It is a story of consciousness of Tsukkomi (laugh)

G:
In fact (laugh) If it is said that you played the piano, the score is ...

Yamada:
I do not understand people who can not read the score. When teaching at a vocational school, they are supposed to be doing at elementary school, but not everyone can read the score, so I do not know why that can not be read.

G:
I see.

Yamada:
But I do not need too much music score, huh.

G:
indeed. Thank you very much, Mr. Udera, please.

Uda:
I also had a period of learning the piano, but it is more clumsy to say "I was learning" by repeating doing and stopping. However, the computer that I was talking about a while ago was touching from a little early time. When I was in elementary school fourth grade, SharpMZI mean, it's a very old model, but ....

Yamada:
I feel a generation gap ...

Uda:
MZ was driving various things. Based on that, using our older sister's synthesizer. After all, it was a family that you like something like that. So in a cassette, indeedMTRBecause it was not a house to buy up to, it is not a multiple recording, but doing something like "overlap" and trying to make a Star Wars mock. "I thought Star WarsIt looks like.

Koji Sakurai (hereinafter Sakurai):
Since thenPuppetTo

Uda:
That's right. I was a bit dangerous. It was a funny child.

Furukawa Norihiro (hereinafter Furukawa):
No, it is not strange (lol)

Uda:
With that kind of feeling, I started making more and more on computers. There were children who are doing brass bands, but there is a feeling like a little bit like that, "If that is the case, I will compose" ET 2 "in this computer-based orchestra!" )


Ishikawa:
With the assumption that there will be "2" (laugh)

Uda:
It was a child who was making delusion of such a thing. It is almost self taught.SolfeggeOr, I learned a little from people, but it has gone away ... .... It was a bad child

Sakurai:
I wanted to learn the piano, as opposed to the two, but I could not be learned by my parents. So, the flute which I happened to hand as an alternative instrument was the flute I did in elementary school class. I had a flute and a pianica, holding it in my hand, I came back from school and was playing. It also has a staircase part in the house, but there is a slight reverberation there. Reverb (reverberation) is applied.

Furukawa:
Understandable, the staircase reverb (lol)

Sakurai:
From that time "You have good sound here" or (laugh)

Sakurai:
You stay in that place and blow a whistle. I mean to lurk or lurk.


Uda:
Do you lurk? (Lol)

Sakurai:
While sitting on the stairs.

Furukawa:
That sense, I know awesome.

Sakurai:
It looks like a church, it's not a hall but there is a reverberant sound. That was such a girl. Elementary school entered the brass band after graduating from elementary school, because older brother was doing trumpet and was able to use instrument, it was in. I just wanted to learn piano very much.

Uda:
I will listen to everyone's story for the first time.

Ishikawa:
Some of us have not met for years, but somewhat to say that society is very long. But I definitely do not talk like this. Something seems a little disgusting (laugh)

Yuhisa Watanabe (hereinafter referred to as Watabe):
It is not easy to do it (laugh)

Ishikawa:
That's why I do not know the musical roots of all children, so it's fun to listen again.

G:
I agree. "Staircase reverb" is quite ... ...

Sakurai:
From a tiny homeAmbientIt is (laugh)

Furukawa:
I am coming here with this trend (laugh). I enter from a little dark story at first, but .... In my case, it seems that the words did not come up until about 3 years old. That is why my parents were suffering a lot and I had to remember the words even a little, at that time8 tiger deckTo

Uda:
Perhaps, the current person does not know "8 tigers" (lol)

Ishikawa:
Karaoke's cassette is a stuffy guy.

Watanabe:
Ah! It is a pink lady and a guy.

Furukawa:
Yes, I heard that he bought that nursery song a lot, he seems to have heard it all day. In that case, there was absolutely noisy when I got words to come out. It was not like I learned, but I felt that I went to the music suddenly with Burn, just because I did not get the word out. So, it was a child I liked very much about singing from that time.

G:
I see.

Furukawa:
My older sister got an organ to play, but my sister did not show any interest at all (lol), one day my brother was playing .... Maybe I think it is about the second grade of the elementary school, I thought of playing songs. However, when I tried to do it, I knew that it was not possible to play only with white places, but no one has taught me that "I can not play without using three black spots, I found out that I noticed it. I was probably quite early that I touched it as a personal computer, in 1981PC-6001 "Papicon"It is called

Uda:
It is the same era (laugh) That classmate bought it. Every day at the classmate's house bother youPSGI was driving in.

Sakurai:
It is the same time.

Furukawa:
It was just before graduating from elementary school. Therefore, I think that it is a long time ago.

G:
I see. Watanabe, please.

Watanabe:
Well, the piano has been doing since I was 3 years old, I was taking the first place in the competition. (We received Tsukkomi from "Lie") Yes, it is a lie. I did not do anything at all, Until entering the company (laugh). So I was interested in music and it came from the company.

Furukawa:
To tell the music, I wanted to do it, did not I?

Watanabe:
Yup. I wanted to do it ... but I was drawing a picture until I got into the company.

Sakurai:
That is incredible.

Uda:
I did not know…….

Watanabe:
In a certain magazine, a byte was drawn on a CG manuscript with a personal computer.

Furukawa:
It is amazing, surprising.

Watanabe:
When arranging and drawing the character of animation which was popular at that time, I got one piece, ten thousand yen and so on. So, I did not do any music at all.

Furukawa:
So, after I entered the company I learned a lot.

Watanabe:
Yes Yes.

Furukawa:
I managed to remember while doing my duties.

Watanabe:
Yeah, I did not have to do it myself. Oh, just that. When I was a child I watched anime and listened to the theater accompanying it. Just as a record rental shop that is now called CD rental was completed, so I borrowed the soundtrack so hard.

Ishikawa:
Watanabe's case is completely self-taught, it is quite a special example that one person can do variously by composing it after entering the company. Perhaps, as a composer by self-taught self-education after entering the company, the one who became a composer as it is ZONTATA 25 years old in history.

Uda:
I've never heard of it, for sure.

Furukawa:
It is a bit interesting that everything is different by people.

G:
Really, I am surprised that it is so different.

Ishikawa:
We are also surprised (lol)

Sakurai:
I want to hear from you.

Ishikawa:
Please read the interview of Mr. GIGAZINE which we did last year.

※ The last interview article is here, "Interview with TAITO "ZUNTATA" knowledge to become "sound house" of the game"


◆ First Composition
G:
So then is the question of when you first made the song or thought about making songs. Also, what was the reason for that?

Watanabe:
My answer is already one (haha)

Furukawa:
Since entering the company.

Watanabe:
Well, it will end with that. Nothing interesting (laugh)

Yamada:
I made it somehow when I was doing the band, but if I compose a band, if I compose a melody by arranging the codes somehow, the members will do the songs without permission, so please do not tell me to compose that one ... ... (lol)

Uda:
Really.

Yamada:
If you said "Here is like this", somehow good songs will be created during the practice, so making a band songs is a little rough. In that sense, it was the demonstration sound that Taito put out for the first time a proper song.

All together
Yeah yeah yeah.

Yamada:
I did not make it properly .... Although I have not made it properly, I can not do various things at that time sequencer, I put all the notes and put together the length is the best thing, making something like awesome things Remember. It is a secret, but this also (laugh)

G:
When was the band being stolen from around?

Yamada:
I think that it was doing from about 2nd grade in high school. I was going to the music department but I dislike classical music or I hated the piano (they all laugh). Because I do not practice very much, the ranking of the test in the class was posted, the piano was the last. I do not practice, so I can not remember the songs and I can not play it to the end at the time of the test.

G:
I see……

Yamada:
Do not practice the piano, because you practiced bands and were doing club activities.

Furukawa:
It certainly will not play.

Yamada:
I can not do club activities, but I will injure my hand. I was doing a band though.

G:
What part was in the band?

Yamada:
It is a keyboard, I dislike the piano. Compared to the classical piano, the keyboard of the band is comfortable ... ... I do not say it all. If the band is not a professional band but an amateur gathering, the keyboard is light for the people who can play the classical piano, and it is hard for them to match, it is so difficult at all to technically It is not a thing and it is fun. However, I think that I can do it without having to do classic separately.

Furukawa:
Classical performance, it looks like it will not be fun at all.

Yamada:
Practice is not fun.

Furukawa:
That is because it is playing normally for 5 hours a day. Even 5 hours it is not enough.

Yamada:
Hanon(Finger Practice)Just play for about an hour and a half.

Ishikawa:
Hannon was done by my older sister and heard every day everyday.

Yamada:
Stop! (Lol)

Uda:
Your eyes will turn.

Yamada:
About 1 and a half hours as a guide to standardize your fingers after practicing the song, so "mine life is returned!" Momentum.

Uda:
To that extent? (Laugh) I am also in the band, probably I think that the dress is good, but in reality it is not a band, as I said earlier I was holding a computer while I was little. For example, a sequel to "E.T." ...

Watanabe:
I also came (laugh)

Uda:
When I started I was in elementary school 4 years, and at that time, with my older brother "Mad MaxI went to see it inadvertently, so "I wish I could also write songs to Mad Max".

(All lol)

Uda:
I am inspired by that kind of things and I started doing oneself. I'd like to say publicly that "I made a band with a high 1," but it really is about that. A lot of painful songs though.

Yamada:
Combine it in an album ......

Uda:
No no no! (Laugh) I, so I thought to digitize it once before throwing away all the cassettes of that time. When that is the case, songs made at junior high school ... .... I think that there are everyone, perhaps something like a song called "When I supervise, write such songs" that I made when I was about 6 small.

Watanabe:
Hey, he is cool.

Uda:
Such painful things came out.

G:
That means that it is properly digitized and saved.

Uda:
I picked it up, but I was worried a lot.

Yamada:
You should publish it somewhere.

Uda:
No, it is really public execution, is not it? When I got back to the country, I told you to "clean up the room" so if you cleaned up, the score at that time came out. It's an image sketch.

Watanabe:
Amazing!

Uda:
But it is a mess. Or the orientation of the eighth notes' flags is broken.

(All lol)

Furukawa:
Thanks for being lent.

Uda:
It's "four-quarters" but that's all there.

Furukawa:
There are so many musical notes and there are too many beats. There is (laugh)

Uda:
Such a thing comes out. "The screen turns blue from here", but even with spelling errors misspelled, the delusion was written. I guess there is something like that because there is such a thing.

G:
"I E.T.2", I'd like to ask.

Uda:
MZ's single tone and my hand-played synth overlap, it's amazingly spicy now.

Watanabe:
Cool. It is cool in a certain way.

Sakurai:
It's automatic playing.

Yamada:
ZUNTATA NIGHTWhy do not you ask for something instead of participating in? (Lol)

Ishikawa:
"I E.T.2" (laugh)

Uda:
It is such a feeling (laugh) It was such feeling. Also, famous for Hitachi's commercials "This tree (tree of Hitachi)Do you have songs? I thought about lyrics to about ten things without permission, and I combined with drums and something in various ways ...

Yamada:
How much is it?

Uda:
It is about 6 small.

Yamada:
Did you not know about other games? Type you did not have too much with friends?

Uda:
Rather than playing with friends, I was doing that (laugh) And it seems I only did fishing.

Sakurai:
It's too amazing I am already ... (lol)

Watanabe:
It is not gradual, hurdle is going up.

Sakurai:
I simply started a copy band in junior high school, "A-haI was doing something like that.

Furukawa:
Finally what is decent (laugh)

Watanabe:
It's like a royal road.

Sakurai:
At that time I played with a keyboard, synthesizer and a guitar to get into music and go on to join a high school as I am going to do the band after all, but as a matter of course it will not be enough for a copy ... but not badly When you do original, foil is made and you want to do.

(All lol)

Sakurai:
"We are doing the original."

Uda:
I understand (laugh)

Sakurai:
Somehow "OK, let's make songs" everyone started doing. There is nothing I can do without anything, there are only simple songs like chord progression "C → G → C", but I started out about that for about 2 years in high school. That is the very first composition. "Anyway I am doing the original, it's not a copy".

G:
I found the foil attached.

Uda:
Mr. Sakurai, I also play guitar.

Sakurai:
Yes, it is a guitar and a keyboard.

Furukawa:
It is amazing to be able to do both.

Sakurai:
When I was in junior high school, my parents bought me the first synthesizer. At that time, there was a digital synth and analog synth, I wanted digital, but I could not buy it. So, analog synthJuno-106I bought them to buy them. That was still good, like this, when you mess with it, the sound changes.

Yamada:
I bought Juno since I became an adult.

Sakurai:
Oh, is that so?

Yamada:
There is also now. At that time it was expensive and could not be bought.

Sakurai:
Bought it, save money in bytes,Ishi Bashi instrumentThere was a place called, but with stock special priceTR-909I bought it for 48,000 yen.

Ishikawa:
Wow, cheap!

Sakurai:
It was 48,000 yen that I was 19,000 yen, afterwards the sound of a classic kick, it will be a rhythm machine. At that time I was saying "bad sound" (laugh)

Furukawa:
"It's not real at all" (laugh)

Sakurai:
I was saying "It's not life", but if you bring it later, rare value comes around.

Uda:
After that a few years it became price like regular price. Everyone in this generation is a person living the era of technology transition. Age gradually shifting from analog to digital.

Sakurai:
I also wanted to learn the piano, because I could not learn it, I can not play it. So, after all I went to the machine and bought a synthesizer, "Oh, I can rely on machines", I bought a sequencer and a drum more. By saying "Oh, this can not be done to some extent", I started to make music even by myself.

G:
I see.

Ishikawa:
Well, Ms. Furukawa.

Furukawa:
I can play the song I made the most, now.

WatanabeSakurai:
That's great.

Furukawa:
(Playing) with such a song, probably the man who wrote it about the third grade of elementary school. I talked about talking about playing the organ for a long time at home, but with that trend I tried to do something like "I can make something like something". However, since I enjoyed playing and singing more than making a song, I wrote only about three songs including elementary school era in primary school. In junior high school probably 1 or 2 songs probably only written enough for one hand to do in high school, the one who wrote in earnest is really entering the company. I did not do any bands, so I was always singing, this guy.


Ishikawa:
This person is (laugh)

Watanabe:
That song at the time of the entrance examinations, the original guy. That was amazing. "Spring, summer, autumn and winter".

Furukawa:
That's it (laugh)

Watanabe:
I remember it tightly. Basically, I will not forget the song I've heard.

Ishikawa:
My time was also "spring, summer, autumn and winter", but the story of "spring, summer, fall, and winter" is probably the same for years?

Watanabe:
Oh yeah, I am from one of my seniors.

Ishikawa:
A little commentary, when entering the sound of Taito, there is a problem of songs at submission of demonstration tapes and training, but "theme is" spring, summer, autumn and winter "is the theme.

Watanabe:
I started composing my own company. So, the chance was "I have to write." so! It is because I have to compose music! I say (laugh)

Uda:
Well, but did not you do anything like that before?

Watanabe:
No, not at all.

Yamada:
Did not you base?

Watanabe:
No.

Yamada:
That, that's basically doing it ... ...

Watanabe:
My boss did not take it unless it told me that it was ... well done.

(All lol)

Yamada:
is that so. That's early.

Watanabe:
I thought you'd hesitated to have been totally insulted "(laugh) I really wanted to do painting and planning at a game company. So, if you want to make a game and enter it, "Wow, music is not interesting for a while?" So, why do not you try receiving the sound?

Uda:
Cool

Watanabe:
It is not because it was made. I have no choice but to do it. Let's decide.

Sakurai:
I adapt and I got a good career (laugh)

Watanabe:
I was angry enough to die later. "There are limits for you a bit, too (lol)"

(All lol)

Ishikawa:
Well, then Watanabe did not show demos?

Watanabe:
Yes, that's why I wondered what it was like because I can not write songs. See, you remember that there were lots of records on the shelves of the sound room long ago?

Yamada:
It was there.

Watanabe:
I chose from that and expressed "Spring, Summer, Fall, and Winter."

Uda:
What is the sound effect?

Watanabe:
Yup. It is said to make it by inclusion,6 mm (tape deck)Turn it. There are some famous classics, but I do not understand at all. So listen to it all overtime when it is overtime "This is such a song, yes yes". Line up that,I Remixyou know.

Furukawa:
It's DJ (lol)

Watanabe:
Oh yeah, I recorded it at 6 mm.

Ishikawa:
So it's pretty easy to adopt ... ... There is something that feels something.

Watanabe:
It seems that something was good. Perhaps the music selection was good. Of course, if it is only an existing thing, it is because it is because there is it, put the sound of striking the board of the bathroom in the dormitory "burn" or "DenskeThere are telephones, but try to record the environmental sound there.

Uda:
I was doing field work.

Watanabe:
Yes Yes.

Ishikawa:
It is amazing.

Furukawa:
That's a pretty good story. This topic is.

Watanabe:
Well, did not you know that?

Yamada:
I've heard stories about how effective sound sounds are, but I do not know the story about taking Denske to the bathroom.

Watanabe:
At that time, since I do not know how to use it to seniors, when asked "How do you use this?", "Oh, well then, I already have it, you gotta do you" "Yes" (laugh) ......

G:
I see. By the way it was a question of Mr. Ishikawa, Mr. Kosui and Mr. Tsuchiya last time "What kind of music was the first time I joined the company?", So here again I asked about "making the first song" I think that I want to do it.

Tsuchiya Shohei (hereinafter Tsuchiya):
I was surprised while I was talking about it now, after Taito has decided to join the company, I will divide the department. That is amazingly surprising. After entering it is that you do not know what will be.

Yamada:
It may be sent to business, or it may be sent out to a store.

Watanabe:
That's right, I was planning to belong to the factory first.

Tsuchiya:
Yeah ... ....

Yamada:
Everybody goes to the factory for the first few months.

Sakurai:
Is not it a freshman training?

Watanabe:
I appealed that it was going to go to the factory at the time of new recruitment training and caught the personnel personnel (lol)

Tsuchiya:
When entering I enter "I want to enter here" with sounds and pictures, but I do not know what will happen afterwards.

Watanabe:
The God Only knows (lol)

Tsuchiya:
I am surprised to see the story, because I want to "go to the sound" and I can not imagine being chosen again later.

Small salt Hirosaki (hereinafter referred to as "small salt"):
I was half as well (lol)

Tsuchiya:
Well, are you like Oshima-kun?

Small salt:
Because I was business at first.

Uda:
Well, is that so?

Small salt:
I was in business for about six months. After that it was supposed to go "to develop" after all. At that time, I was in the business of the sound that was in Aoyama, "From September you, Ebina" you say, "It's a bit of a commute to get far away" but it looks like (laugh)

Uda:
What are you saying (laugh)

G:
ZUNTATA also has a history of 25 years, there are various on the way.

Tsuchiya:
Then go back to the story that made the song for the first time ...... I think that probably about high school probably I made songs at first. Mac, maybeVisionI think that I made something, but software that sequences properly also comes out.

Uda:
We seem to be getting old when I react somewhat here (lol)

Yamada:
I am getting old (lol)

Sakurai:
You know it in the times.

Furukawa:
Vision Hello, Vision at high school?

Uda:
Oh yeah, I have to say Mac or something.

Tsuchiya:
EZ Vision and others freePro ToolsThere used to be something like that.

Yamada:
That, quite a new image ....

Tsuchiya:
Perhaps, I think that it is quite new from everyone.

Ishikawa:
Because the 10th generation is different.

Uda:
Really……

Tsuchiya:
I have never made songs, such as character input, so I do not have a reconposer. Everything is only from experiences of driving notes.

Watanabe:
It is entered from "rice planting".

Tsuchiya:
It looks so.

Watanabe:
Petapeta Peta. Do not hit it with text.

Tsuchiya:
Yes. That's right. MIDI has already established as a standard, everyoneMIDI integrated sound sourceThere used to be a boom like something like using a song or something. "HELLO! MUSIC!"And,"Musiro"And.

Watanabe:
It is regrettable.

Tsuchiya:
It's a low-priced version of "You can compose at home".

Watanabe:
It looks like a cheap version of Recompon (Re Composer).

Uda:
It is such a feeling, something packaged.

Tsuchiya:
Let's "make your own songs" with that wave. Well before that, I did a lot of music, but the first thing I made songs is not a DTM boom, but I think that something that you can get even at myself is such a cheap version.

Watanabe:
I feel like I'm growing up quickly.

Ishikawa:
Did you not make "my soundtrack" or something?

Tsuchiya:
No, it is (laugh)

G:
Did you make it?

Tsuchiya:
It was not made at that time.


Uda:
In the eraSC-88It was a very popular era.

Tsuchiya:
Yeah, that's the type.

Yamada:
I feel so recently ....

Uda:
It was an era like the second DTM boom, surely.

Tsuchiya:
It looks so. It's the second time.

Uda:
Is not it? It is around the end of 90 years.

Ishikawa:
The primary boom isMT-32And.

Yamada:
Oh, that's right.

Uda:
It's about 89 years old. That was the first time.

Ishikawa:
MT-32,CM-64Okay,SC-55I came, SC-88.

Furukawa:
the first,"Musi-kunIn a package called "

Tsuchiya:
Because it's all packaged, I can buy all the input keys and sound sources all together.

Small salt:
It is expensive. It is tremendously expensive.

Tsuchiya:
Yeah, but a cheaper version came out so much later that I could buy it. Perhaps when I was a seniors, I think that it was a style that I had to buy one module by myself, at boom time.

Uda:
Yes Yes Yes.

Tsuchiya:
At my time, if there is one comprehensive sound source it would be like "I'm in the drum from all of them".

Small salt:
Well, did you have a keyboard?

Tsuchiya:
The keyboard was in.

Small salt:
Lie?

Tsuchiya:
Yes, certainly. I thought that ... .... I thought. EZ Vision and I was YamahaXGso,MU-50I think that it is something.

Small salt:
We did not have a keyboard, did he?

Tsuchiya:
I definitely got the keyboard and I feel I was making something.

Uda:
Something,GM formatIt is the era.

Tsuchiya:
That's right, Moro is that era. It was around the time that discussions like "GS is good" "No, XG is good" was happening. Maybe.

Uda:
Tsuchiya-san was XG?

Tsuchiya:
That I bought it by chanceYamahaIt was XG because it was, but I am looking at the world and GS ......

(All lol)

Tsuchiya:
Everyone is GS, GS,RolandI wonder if it was better. Because it was not detailed to the musical instrument maker so far, "Yamaha ...... Oh Yamaha surely is a great manufacturer" I thought. In the world saying GS, GS. In that case, whatever result was good was such a result. It was totally meaningless.

G:
I see. Well then, Mr. Oshite, please.

Small salt:
I am the same generation, but I was doing a little earlier,MMLI was doing it.

Watanabe:
Yeah.

Small salt:
Although I do not know whether to say composition, but I liked game music so much at that time, I was driving in buying score of game music, but since the score had only piano score, obviously in the game It is different from the sound that is ringing.

Furukawa:
Hahaha (haha)

Small salt:
Something is wrong (laugh). "Well then, I will arrange it instead" will be the first composition, or will it be arranged?

Yamada:
"I arrange"?

Small salt:
I arranged.

Tsuchiya:
Did you come?

Watanabe:
You too?

(All lol)

Small salt:
Yes (lol) Specificallysquare Enix'S epic RPG song though.

Uda:
really. I see.

Small salt:
There is only a melody and a bass in the score, and if you type in it faithfully, "Ah ... ....". "It's not a song I am seeking". So, arrange it. There was a place that resembled Mr. Uda on that side, there was also a place similar to Sakurai - san, I was doing a band in high school days, but I wanted to do the original to make a little foil .

Sakurai:
As expected after all (laugh)

Small salt:
At that time, the guitar guys made songs, but let me also do it for a while.

Sakurai:
I see.

Small salt:
So, it is the feeling that it was originally the first to make at that time. That's why I feel like Mr. Ukida and Mr. Sakurai's hybrid.

Uda:
Hybrid (lol)

Watanabe:
If you only hear the story, it looks like a musician.

Furukawa:
It is surprisingly decent and somewhat frustrating.

Small salt:
Do you think anything (laugh)

Watanabe:
I'm not hungry. (Laugh) Conversely, just do it, why are you DJ now? I do not understand the meaning.

Small salt:
I made a mistake at the university. I guess you thought that the band sound was already old in myself after doing the band at high school. When DJ is new.

Watanabe:
Indeed, did you realize there?

Small salt:
I realized it.

Watanabe:
Early (haha)

Small salt:
It is a feeling. Yes, then, Mr. Ishikawa.

Ishikawa:
Because I'm not the only composer in this, so I have never made a song completely or singularly, so I never done something like composing .... I just did the band forever though.

Ishikawa:
But, I can not compose, so I was doing lyrics well. At elementary and junior high school ...

Yamada:
I will listen to that story for the first time though.

Furukawa:
I heard it for the first time.

Ishikawa:
No, it is not such a nice talking story, it is rather a story of Itai family like Uda-kun said.

Uda:
I kind of wrote literally "This tree tree".

Ishikawa:
Yes Yes. Elementary school fifth or sixth graders, I like off course or tulip, so-called new music system. So, you can not make songs and of course, so "Let's write a lyric".

All together
Ooooo (lol)

Ishikawa:
I wrote some lyrics of the system, "It's my birthday first album!"

(All lol)

Ishikawa:
Well Uda-kun was a song, but I was a lyric.

Yamada:
Is not it?

Ishikawa:
It is not indeed (laugh)


Watanabe:
It's totally stark. Itasting! The amount that makes me feel amazing (lol)

Ishikawa:
I decided to write something like "First release of ○○'s first album", "Okuyu ○ sun launch" at the head of a note without permission.

Uda:
Yes yes, I understand I understand.

Ishikawa:
Although it is only a lyrics, although it is a song ...... doing something like that. But, when you think about it, doing it now. now,Website of ZUNTATAI am updating it, but there is writing "I finally appeared! ZUNTATA 25th Anniversary Album!"

(All lol)

Sakurai:
From that time on.

Ishikawa:
What I am doing is the same as when I was in elementary school, as I write the propaganda of the allegations and internal albums.

Furukawa:
Roots.

Watanabe:
It's roots (haha)

Small salt:
Is not it comprehensively compiled?

Ishikawa:
No, no. (Laugh) That's why it's roots. There are not many songs, but I like to do that kind of planning.

G:
I see.

Tsuchiya:
But when Mr. Ishikawa entered Taito, was it like a demo tape was a song, or was it a sound effect?

Ishikawa:
When entering Taito, I am in projects rather than sounds.

Watanabe:
Huh!?

Ishikawa:
When is your first choice?

Small salt:
It is also "sorting" in the example.

Ishikawa:
Originally I went to a vocational school of music system, because it was a sound engineer's school instead of composing something. But, because I liked the game, I wanted to do the work of the game because anything was okay.

Watanabe:
That part is the same.

Ishikawa:
so. Since I can not make songs, I'm writing a game's proposal and it is adopted. So, when adopted it is probably taken in the planning of the game. But, Taito of that time was a newcomer training for half a year.

Sakurai:
It's been a long time.

Ishikawa:
Boku to Boku to Hokkaido for 6 months.

Tsuchiya:
long!

Ishikawa:
While doing various things in Hokkaido for 6 months, I thought that it would be a bad idea, "I guess it sounds good", please give me a request for change of hope. In that case, there was something I wanted to take a little bit of examination, I went to the room of the sound at the central research laboratory in Yokohama, I had been training for a week, did not I.

Yamada:
I was doing.

Ishikawa:
At the time, I made one song with "The theme of spring, summer, autumn and winter" as one theme. It's pretty much a good song ...... Personally I tried quite well, but with a very simple song.

Small salt:
I was not "Spring, Summer, Fall, Winter" in my case. I gave a demo tape but I did not say anything.

Ishikawa:
Oh, a small salt demo tape came out. Now I'm preparing for moving and when I turn it over, various demo tapes of small salt and Tsuchiya-kun came out.

Yamada:
Yea.

Small salt:
Sorry. Sorry!

Watanabe:
Oh, I want to hear that.

Small salt:
Do not touch that tape!

Tsuchiya:
Absolutely impossible impossible

Tsuchiya:
I would like to ask you a little about Demote. I probably entered in the middle, so it's not a demo ... ...

Watanabe:
You are finished.

Tsuchiya:
That's right. I think that it is not interesting at all though, after having done to a certain extent.

Uda:
Well then Tsuchiya-san and I am halfway, in this.

Tsuchiya:
Oh, is that Mr. Udera as well?

Uda:
Yeah, it is halfway.

Small salt:
Is not there any other spring, summer, autumn or winter?

Watanabe:
There is no remaining. With 6 mm or so (haha)

Tsuchiya:
Yes, Spring, Summer, Fall, Want to hear great.

Ishikawa:
Because 6 mm tape has been thrown away considerably when coming to this place (Shinjuku). I still have a lot of DAT.

Furukawa:
I almost threw away 6 mm tape. I already have a deck ....

Watanabe:
I can not play it.

Furukawa:
But maybe I can make the same once again if I told myself that I can make one.

Watanabe:
That's great.

Furukawa:
Because I turned around the opening at that time and played all the parts myself, so I remember everything. In truth, it would be fine to use the sequencer, for example, but after all it was a half-day and a half day training to make the songs on the spot, so I had no time to remember the equipment.

G:
Yeah ... ....

Furukawa:
For the time being, I'd like you to play the recorder and play it. So I was doing it all the time. I'm amazing how drums and other things are made.

Small salt:
About 80 years.

Furukawa:
1988. But that reminds me almost every part.

Yamada:
amazing.

Uda:
It was a thrilling era.

Ishikawa:
Mr. Furukawa and Mr. Yamada are in sync. I do not believe it.

Yamada:
In many ways (laugh)



◆ The reason for interest in game music · game sound
G:
It's funny and I can not stop it (laugh), it's about starting my interest in music and sound of the game. Mr. Watanabe is telling a story that he made it since he entered the company, but hearing that he was interested in gaming music ......

Watanabe:
Oh, there are not.

(All lol)

Furukawa:
No, what are you talking about? (Laugh)

Watanabe:
No, it was not then. I just wanted to make a game normally .... Will you visit various places in the training? So, "Oh, sound like lucky". Before entering, I was listening to songs from other manufacturers so "Well, I will change my house" kind. By way of example. A big thing.

Furukawa:
But it seems that people in this age are divided.

Watanabe:
At the time of entering Taito it was like a "Taito? Something not good?", At that time. However, if I had received basic training etc. about three months after joining the company, I became like "That one? Taito unexpectedly good". After all it is a company that creates the same game so it seems that interest has come out together everywhere. In that process, the unexpected sound relationship was funny. "Well then, what you do" was the chance for you. So, I'm getting caught as "funny" (lol).

G:
I heard that you heard quite a bit about anime's soundtrack, but what kind of work soundtrack?

Furukawa:
SunriseIt is a system.

Watanabe:
Because my parents are Oita, there are only 2 stations for commercial purposes. That's why the animation you are doing is pretty limited ... .... Because it does not do everything like this one.

Furukawa:
But this neighborhood (Mr. Watanabe and Mr. Furukawa) is wearing something quite heard.

Watanabe:
Yes, generation is near. After all it is a sunrise system.

Furukawa:
"Zabangle"And.

Watanabe:
...... Do you understand?

G:
Yes, it is okay.

Watanabe:
Oh, then you can explode explicitly (laugh) "Galaxy Drifting BifamOr like that.

Furukawa:
I heard "Bifham", hey.

Watanabe:
As long as you hear the "legendary giant Ideon" or the neighborhood, wear it around. Perhaps, I had something like that about the drama part of that area all the time.

Furukawa:
There used to be a drama edition in the past. Now all DVDs and images come out, but there used to be only cassettes in the past.

Watanabe:
Because we are not doing animation in this direction, we only have to listen from such media. Listen to the songs in the soundtrack, this kind of screen appears in an animated magazine, like "coalesced!" On your own.

(All lol)

Furukawa:
Children show great imagination.

Watanabe:
Imagine that probably this sound is ringing around this scene probably ... There are times when you think that it is probably useful for now.

G:
Ooo, I see.

Watanabe:
Should I say "Hungry generation"? I guess you can see everything on Google and YouTube now. There is still time when I think that it is "nice" around that. "What is Comiket? What is a cosplay?" "Ah,DAICONPlease go check it out "I thought it was messed up. I think there are people who do not understand.

Furukawa:
Perhaps DAICON may only know about this area ......

Yamada:
What that?

Ishikawa:
Mr. AnnoIt was an event involved in OP animation production.

Furukawa:
Oh, that's right.

Watanabe:
It was a legend.

Watanabe:
Even though it became common now, there is something that you can not see at all if you are over there. There was such a longing.

Furukawa:
Now I can see anything, on the net.

Watanabe:
Even at my parents' house, I told that three commercial stations are now in progress, saying "You are on the increase, good?" (Laugh). If you said you were interested, there was indeed there. I did not listen to general songs in reverse.

G:
I see. Mr. Furukawa, please.

Furukawa:
Yes, this can be limited to games, is not it?

G:
Not limited to animation, if there are other than that.

Furukawa:
The soundtrack is wearing awesome. So, there is a place where my music is an awesome base at that time, but the first thing I heard the sound of the game is Namco's guy. The first "Video · Game · MusicRecord that says. I was listening to that, but there was a time when I left the game for about 3 to 4 years. After I became high school, I was driving songs on my computer. At that moment"Oh! FM"There is a magazine called.

Yamada:
I remember it faintly idly.

Furukawa:
Among them was Sega's "Fantasy zone"In a song like a game called ..." Here almost everyone answers "OPA-OPA! (Round 1 song)", in my case it is not so, the seventh face "DREAMING TOMORROW" It is a song.

【AC】 Fantasy Zone - DREAMING TOMOROW (Round - 7) 【SEGA】 - YouTube


Furukawa:
The program is on it, and it drives in, I thought, "What a nice song this is". It is before you play a game. Even though I listen to any songs, for example, I do not have anything like "I like songs because of songs" or something like that, since the image and music are completely independent, I think the melody of this song is wonderful That's the first time.

G:
Method

Furukawa:
Afterwards trying the actual game and saying "This is wonderful" ... ... It is a direct factor as it is a short story before entering the company from 86 to 87 years. Is it the opportunity to move on to this job?

G:
I see.

Furukawa:
Sorry for the amazing maniac feeling (lol)

Watanabe:
Game to the standard and ......

Furukawa:
Yeah, but I did not play the game, just listening to songs, I entered from there. Even now it is, roughly. Do not link games and songs. Good ones are good, and what you can not do is bad.

Watanabe:
Oh well bad things ......

Furukawa:
Well, oh well (lol) I do not say anything. Okay, please.

Sakurai:
Yes. After all I also said that Taito san "Space InvadersThat was it. Whether it is music or not ... ...

Yamada:
Dedicated deck ......

Nintendo Space Invaders - YouTube


Sakurai:
...... but it was a shocking sound. It is sooo cool.

Yamada:
You are not thinking so much right now, do you? All right? Comment on the textbook ... ...

Ishikawa:
Even if you do not care about it separately.

Sakurai:
No, really like it. "Somewhat, you can make such a sound". I never thought of what kind of feeling it would be like to make it separately. After that, after all, Namco's "XeviusOr at that time the series made a lot of great catchy music, I thought, "This is nice" I was listening.

Xebius (XEVIOUS) - YouTube


Sakurai:
As music, movie music more than that, I also listen to animation as small as I was,Kentaro HanedaOr something.

Ishikawa:
Oh, nice.

Sakurai:
Please tell me "Oh no, that's good." after,Isao TomitaHe used a synthesizer and heard that kind of stuff. I started driving with that trend ...... in the UK in 80 yearsDuran DuranSomething really outstanding made out, sound making is completely different from Japan and it is cool. I was attracted to being like "What is this, what kind of sound is it cool just sound?", It was supposed to make songs. In common with that, there is something that got into the place where it is called "music is possible" and "I can do it".

Furukawa:
Fair enough, Orthodox.

Sakurai:
It was an orthodox. Yup.

Uda:
I am ... ... I wear it a bit with Sakurai-san, but which one is close if it's a game ...... Namco's 'video, game, music' series that I mentioned earlier.

Sakurai:
Everyone was listening.


Uda:
In a song, it strangely caught in my head is the song of "Rally X", it is very sticky. Also, in that era, various video games came out one by one, everywhere was something interesting sound and music was singing on their own chip. I feel like that feeling a lot.

NEW RALLY-X - YouTube


Uda:
That's why "Rally X" and then "Bosconian" are games and that era. It is about 82 years.

Furukawa:
"Bosconian" talks.

Bosconian (BOSCONIAN) - YouTube

Uda:
The place where you talked is getting excited, is not it?KraftwerkGenerational people are. It's like "talking!" It is not the story of Ms. Sakurai just a while ago, I also liked the movie person so much,VangelisI'm going to the synths and others. I liked Vangelis greatly after all and liked Takashi Tomita liked it likewise. Vangelis has a movie, "Blade runnerIs not it? Recently it was also the Olympic Games.

Vangelis - Chariots of Fire - YouTube


Furukawa:
I was doing, "Runner of Fire". I saw it there only (laugh)

Uda:
Listen to that soundtrack many times so many times.

Watanabe:
That laughed ... ...

Uda:
It's like "I had no idea."

Chariots of Fire (Vangelis) for "London 2012 Olympic Games" - Performed by sebastien ride (srmusic) - YouTube


Watanabe:
Vangelis cries, it looks like (laugh)

Uda:
Feeling of the sound of that neighborhood. Also, I love that feeling which is played only in one IC chip .... Inside of me, works created with full use of synths and live instruments' multiple recordings and only within one chip There was no difference in the impression of the music given by the music itself. It is a feeling that they were interested in both and crossed each other alternately.

G:
Thank you very much.

Uda:
Mr. Yamada, please.

Yamada:
To tell the truth, I'm still not interested in game sounds.

(All lol)

Watanabe:
I've been doing it, it's getting interesting.

Yamada:
I'm playing games, are not you? I will erase the sound.

All together
Oh!

Ishikawa:
Do not do the best ...

Yamada:
But, there is such a wonderful game music that I am the only one ... ... Namco's "Fairy tale maize".

MARCHEN MAZE - YouTube


Watanabe:
Oh? is that so. It may be the first ears.

Yamada:
I do not know when I entered Taito in the old days, I do not know if it was a little before, but when I played that game I am not that good, so the game is difficult and I can not move forward, but I want to hear the sound From there, I went to 50 yen for a couple of weeks and I do quite a number of times.

Watanabe:
Was there something like that? That's amazing.

Yamada:
I do not think there are many soundtracks, are not they?

Ishikawa:
Disagreeable,There is, "fairy tale maize".

Yamada:
I'd like to ask.

G:
What is it like music other than games?

Yamada:
Besides the game, it is the Queen or the royal road. Sounds like "Is it a dramatic rock?" I also like classics, of course.

Ishikawa:
Really.

Yamada:
I love opera and something but I do not like singing classics that I fall asleep.

Uda:
Do you like songs?

Yamada:
I like singing songs. I've been in classical music for a long time, so I do not like chord progression as promised, so I will not do it when I make it. I am thinking about making it as a dare to tease the composition teacher "I do not think this will get angry". I told you a nice thing, right now.

Uda:
Well (laugh)

◆ Episodes that were hard at ZUNTATA
G:
In this way, I felt that ZUNTATA, which has a history of 25 years, is a miracle like team where various people gathered. In that history, please tell me if there are episodes of Ichioshi, such as hard work and surprised what I did.

Ishikawa:
Perhaps, I think everyone will nod from Yamada to Mr. Watanabe, but ...Ensoniq (Ensonik)There was a time when I was using the sound chip of.

Yamada:
Oh.

Ishikawa:
How long ago is it from now ...?

Furukawa:
It will be about 20 years ago.

Ishikawa:
Already about 20 years ago? Is it over 15 years ago?

Yamada:
It's not 15 years ago, maybe.

Ishikawa:
There was a time when you used the sampling chip of an instrument maker called "Enonic" at the sound chip of the arcade game. It is also used as a real synthesizer and it is the same as an instrument, so a good sound is heard, it was like a shocking game industry at that time with a sophisticated chip, but let's load that chip on the game board It 's hard for me anyway. The game industry trembled, but the people inside also shook.

Yamada:
Truly it (laugh)

Uda:
I was trembling while crying.

Ishikawa:
It is truly hard to put the "Ensonic" sound source chip in the game, already ....

Furukawa:
Well, have you sold from over there?

Ishikawa:
House. At that time, Yamaha's FM + ADPCMYM 2610I used to focus on chips and so on. I was focusing on the so-called FM sound source, but the movement to look for a sound source chip that produces a more realistic sound was at that time ZUNTATA. I was hitting various musical instrument makers looking for various things, but domestic musical instrument manufacturers all had high chips. Also, at that time I did not sell the sampling chip by chip alone.

G:
I see.

Ishikawa:
At that time, domestic musical instrument manufacturers did not respond easily because "supply them by chip alone". Just as I entered, it was around 1991-92. there,samplerAs there was a company called Ensonic abroad that was drawing attention as a manufacturer of the product, "How about Ensonics?" It was around just as Japanese corporation was made, so it was quite easy for me to tell you when I contacted you, but the story went on ... ... It was tough from there.

G:
I mean?

Ishikawa:
Ensonic chips are good in performance and the sounds were really good, but the sound chip of the game is different from musical instruments because it is used completely differently. It is necessary to make a sound effect, and at the same time, it is necessary to make a song, and how to move when a lot of sounds are added, how to remove the previous sound and give the next sound, anyway, the sound of the game I have to keep ringing. I will be in trouble if it breaks once and stops ringing there. If it's a musical instrument, you can turn off the power, but the game must keep sounding all the while during the opening hours of the game center.

G:
indeed.

Ishikawa:
Chips to be placed on the board of the game must move even in a relatively severe environment, but the chip of the instrument at the time is not made severe to that extent. It is natural, though. Since I do not have much instruments to turn on the power at 10 o'clock and leave it as it is until 12 o'clock night (laugh), I could not do it that way.

Yamada:
Moreover, there is a unique outlook of foreigners. Sometime, when I mounted the chip on the game board during development, the sound stopped stopping. Say "Be!" So, just because the engineer of Ensonics came, "I am sorry, although the sound does not stop," the technician said, "Put the power switch off and turn it on again" You stopped. " No, it will be, it will stop!

(All lol)

Yamada:
"I wanted to say that I was not talking about that!" ... but I can not use English, so I can say "Oh, it stopped."

(All lol)

Ishikawa:
Anyway Ensonic chips were hard ... .... However, it was good in that meaning that the sound of Taito improved at a stroke by putting it. I think that it was very good like a tai-toy, but it was funny, but people in the middle ... ...

Uda:
People inside (haha)

Ishikawa:
It is surely probable that we will withstand such specifications as musical instruments manufacturer's chips, recently musical instruments are mostly PCs. At that time it was really a chip as an instrument, so it was serious.


G:
I see……

Small salt:
I'd like to touch it a bit.

Furukawa:
Well, what is amazing,High pass filterI have it. So, based on the material of a single waveform, you can make various sounds (Oshushu).

Yamada:
If that is the case, you can put only one tip with a good effector, it is not normal on the foundation.

Furukawa:
Is it an effector you can only do it in the same line? Using only one waveform data, using various tones, the point is that capacity can be used very efficiently.

Yamada:
Because I am doing such a thing, I am becoming such a confusing OS.

Furukawa:
Perhaps I was about doing something like that (laugh)

Ishikawa:
Actually, that Enonic's chip isX2000There was TAITO 's communication karaoke like that.

G:
There was, Karaoke.

Ishikawa:
It was a chip that was adopted to be installed in that, and it was progressed by having it also installed in the game. In other words, because there was X2000 of communication karaoke, there was circumstance that it was put on the game, too. So, on this side, while making a karaoke sound source board, at that time it was in ZUNTATA at that time that the sound source board of the game was made. On the other hand, while playing game music and enka flowing on the other side, it was quite a special feeling.

Uda:
In that era, I remembered something so much, now.

Yamada:
Something amazing now, the feeling of tiredness in the middle of the night is reviving.

Uda:
Just a moment remind me of that floppy disk pile ... ....

Ishikawa:
When thinking about that then Taito, or the whole game industry was a nighttime castle.

Uda:
Oh, yes.

Ishikawa:
Somewhere the electricity is on until midnight, the sound has been late for a long time, there are some people on Saturdays and Sundays absolutely. ...... As for the Ensonics sound source, it is said in various places (laugh). But, this probably comes to the top of the ranking that was difficult to grind in the history of ZUNTATA 25 years.

Furukawa:
Do not think it is a big event.

Uda:
Everyone was praying.

Ishikawa:
I think that it is an event that comes to the top of both on the positive side of "sound good" and the negative side of "hard". Is there anything else?

Yamada:
It will not come out.

Furukawa:
If this is it, there is no later. Something recently?

Tsuchiya:
I agree. Although I am not in game production at all, but as I enter into Taito and looking around various things, in fact it is a company with a long and long history ... .... Something such as importing vodka or something.

Ishikawa:
"Far East trade".

Tsuchiya:
Michael KoganMr. san was the founder or something, what kind of company was it?

(All lol)

Tsuchiya:
I feel a bit like history, so recently I'm thinking "Taito is funny". Among them, Taito's sound team called "ZUNTATA" is also long, so there are unpleasant pressures and good pressure. As expected.

Uda:
I see.

Furukawa:
Tsuchiya-kun's generation is so.

Tsuchiya:
The weight of the name. I think that there is no pressure if I entered while there are many seniors. It is only a story saying "I'm newly entering" to seniors.

Furukawa:
A little generational ...

Tsuchiya:
Because no one was in when I entered, "I do not quite understand, but everyone is quite knowledgeable about ZUNTATA, what is this?" There are places like. It's called pressure ... .... Once you say it, the fans are completely detailed.

Small salt:
Yes, it is.

Tsuchiya:
"Did you know, everyone else?" So there are times when the gap in such a part becomes a good pressure and there are also times when it is somewhat tight. I think that I really wanted to work with seniors once. Because there is an amazing history anyhow, there is personally that I would like to see various stories, and I am really looking forward to this 25th anniversary. I am looking forward to the opportunity to see seniors as much as I exchange cards.

Ishikawa:
I've never done anything like "How many anniversary" did you summarize at home so far? Surprisingly. It is well done to make an album of an old game or to distribute it, but it is just a festival of anniversary celebration, in fact it has never been done once.

Small salt:
It was about changing the logo to the 20th anniversary.

Ishikawa:
So, in the form of '25th anniversary', festival-like, all-star way is actually the first time since ZUNTATA began. In the first place, as you can tell by talking about the story until now, you can not say in a word that "You are ZUNTATA like this," you guys are not doing any anniversary celebration is. However, because the 25th anniversary is also a quarter century, I think that it is now changing saying "It is ZUNTATA that there are people who are separated from the past to the present."

G:
Hmph.

Ishikawa:
It is not like "ZUNTATA is this", but "I think ZUNTATA is disjointed, but I've been doing it for 25 years," I feel like I am now, it's time to say now, let's raise the 25th anniversary a little bit this time There are things like that.

Tsuchiya:
I feel like this can not be helped because I wanted to make this list anyway, "Senior people list".

Yamada:
By all means.

Tsuchiya:
There are so many people who are not seeing you, so I'd like to see a lot of things. Because it seems to be almost fun when listening to seniors' story.

Ishikawa:
In the first place, we say that ZUNTATA is 25th anniversary now, but Taito's sound development department itself has been around for a long time, I have heard from 1983, so real is 29th anniversary.

Yamada:
Good, halfway.

Ishikawa:
So, as it is only the 25th anniversary with the brand name ZUNTATA, it says there is more. I do not even know about it at all earlier generations is not a music system, there are some people who have hardware sound engineers.

Tsuchiya:
I would like to call on ZUNTATA or Mr. Yoshio Imamura who wanted to launch taito sound. It was destroyed "Elevator actionThere are things I'd like to ask you variously why I put on such a bright song.

0050 Elevator action (NES software) .avi - YouTube


Small salt:
Certainly I want to ask.

Tsuchiya:
Even though the game is like a spy shoots enemies with a gun, the song is bright, it's comical. I thought "What's wrong?" Then to Mr. Tadashi Kimishima, "ArkanoidWhy did you put a sound effect with such a pitch, do you have a lot of people who would like to ask?

Arkanoid (Arcade) Gameplay - YouTube


Tsuchiya:
Listening to the story of the seniors, as various names come out, the feelings of wanting to meet you awfully come to my eyes.

Yamada:
Please plan such a meeting. In the Imperial Hotel and so on.

Ishikawa:
Great, suddenly the hurds rose.

Tsuchiya:
ZUNTATA in me isWu Tang ClanIt sounds like something, everyone says "I am a wutan · clan!" It seems like "How many people have Wu Tang Clan".

Small salt:
What that?

Tsuchiya:
There is a group called Utan Kran in hip-hop, but since it is really cool, all the DJs say "I am the one of the wutan · clan," I do not know how many people there are. There are only 5 or 6 people really, but as everyone put on it, "I guess it really is about 100 people?" It is close to it, the name comes out steadily.

G:
When I saw "ZUNTATA's main affiliated person", I came out to the point of how many people were in the past.

Ishikawa:
How many? About 30 people in all? Was it better?

Yamada:
You seem to be totally forgetting something?

Ishikawa:
I do not care about music, people in charge of software, people in publicity and sales, and some people looking for something more Karaoke, so if I put those people like 50 it will be about 50 people. It is divided into various departments, the rest is left, and it goes to another place ... ....

Tsuchiya:
It is amazing.

Ishikawa:
ZUNTATA was playing the sound of the game, the fact that we launched karaoke business also sounded out, and there are parts where the sound is related to launching the ringtone business in TAITO, so then it spreads steadily Where from where to where is ZUNTATA? To some extent.

Furukawa:
I do not know, certainly.

Ishikawa:
Speaking as a composer alone, perhaps 25 or so. Ah, about 20 people?

Furukawa:
There were a lot of non-song work. So, after all I wanted other staff amazing.

Ishikawa:
That's true. Is it such a feeling? Ah! There was another one, a serious story. This is not a very serious story, but I heard that you had a mini live of ZUNTATA in Hokkaido.


Yamada:
Oh, it was.

Furukawa:
Sapporo!

Watanabe:
That topic (lol)

Ishikawa:
This is a story that only some people took care of (laugh)

Furukawa:
Are you going to tell that story now?

Ishikawa:
In 1993 Sapporo's "Sapporo FactoryThere is a story saying that Taito's slightly big game center can be built in the facility, and from the sales people I received a request to do a mini live and went to Sapporo to do live. At that time, I went with all of the equipment on hand. If it is an ordinary band, it will be tailoring what it seems like a tour car, but since we are just a salaried worker, we usually have a keyboard and so on by hand.

Yamada:
And by train.

G:
on the train!?

Ishikawa:
I went to Haneda by train, deposited it with an airplane at the airport, took me around the conveyor at the receiving station, took a train and went to Sapporo.

Furukawa:
So, holding a keyboard also in town.

Small salt:
Did not you get a car?

Yamada:
There was not. Everything is train.

Furukawa:
Normally you have about 4 keyboards.

Ishikawa:
Once there was a hard case, but the hard case was huge and heavy too.

Sakurai:
Well, what about the drums?

Watanabe:
Only a drum rental.

Ishikawa:
Oh I see. But I had something like a cymbal.

(All lol)

Sakurai:
I should take him who I can take.

Ishikawa:
That was hard work. I think that it was only that ZUNTATA did the live other than Tokyo and Osaka. We are going to play live at pace once in a few years, but after all it is a salaried worker, so we have to do all the preparation by ourselves. It is natural for us. As an ordinary artistRoddyThere are staff, there are staffs, there are people, there are people who sell goods, there are people like sales, but it is like something like that, because we are all ourselves, we will also do Mogili, carry the equipment, set up and clean up again Because there is ... ... It is already a cultural festival, it is time to live. Like ordinary artists, I would like to go once when I was able to set up and go back home without roses.

Yamada:
I'd like to do it, is not it.

Ishikawa:
Even a performer normally puts out the equipment from the truck, sets it up, puts it in the case by myself when the live is over, and then loads it on the truck.

Yamada:
Do something like there seems to be no forgotten.

Ishikawa:
Oh yeah (laugh)

Watanabe:
I admire it.

Ishikawa:
I do not know, I wonder if that trend is only out of here. I suppose that all the events must be done by themselves, no one will do it. Even now. I also attended a bit of an event the other day, but I usually set it myself. I did a talk show in a small meeting room, but I cleaned up the desk in the meeting room.

(All lol)

Ishikawa:
I did everything to put up a chair by myself, even after it was over, folded by myself and wiped the table.

G:
I was doing that.

Ishikawa:
We have such a history, so we can not leave it alone. Normally it will be good to go back to the live if you receive a request and it will be okay to return "Thank you so much" then, "I wonder who I will put away afterwards" Do not do it.

Uda:
I guess ZUNTATA 's live is surely done by them, so it was something like a pro wrestling.

Ishikawa:
Wrestling (lol)

Watanabe:
For example, it is amazing.

Furukawa:
An interesting example.

Uda:
It feels like the player clears up the ring, even by myself "Wrestling-like". When I did a huge big live around the end of the 1990's, I did it even in Osaka and so on, but it's like "we are somehow pro-wrestling". Something like this, I remember it. At the time"Michinoku WrestlingIt looks like.

(All lol)

Ishikawa:
It was 97 years ago, I did it in Osaka too.

Furukawa:
97.

Ishikawa:
I did ZUNTATA 's live in Osaka for the first time in 1997. Just saying how I went that way, let me lend a bus. Members take a bus and equipment gears come from behind. Equipment Made of cars, of course we are drivers, it is really professional wrestling.

Furukawa:
I did not have that much money on the Shinkansen.

Small salt:
I went by bus, you really did not have money?

Ishikawa:
so. I went by bus, got equipment from equipment and set up with everyone and doing live. I stayed the day and came back by bus on the next day.

Small salt:
It is a morning excursion. It is amazing.

Ishikawa:
So, I do not know well the circumstances of other manufacturers' live, but I would like to hear what other people are like.

Yamada:
I want to ask "How about geeks?"

Ishikawa:
Since there was a time when we managed ticket sales by ourselves, it seems like "Ticket Pia selling ○ pieces went" on the wall.

(All lol)

Ishikawa:
"O, I went ○ today."

Uda:
There might have been.

Ishikawa:
Even now it still remains, CD is doing with TAITO's own label, but calculate cost from sales calculation, calculate the number of items sold, etc. and do it all with ZUNTATA.

Small salt:
I wrote a proposal.

Ishikawa:
I write a proposal, calculate sales, check what I sold, how much cost it costs, we all do it.

Yamada:
It looks like an event shop.

Small salt:
A budget is set and "This ZUNTATA's"COZMO (Cosmo)If you put out the CD's, it is probably something like this, how is it? Taking approval within the company (laugh)

Ishikawa:
You did it.

Furukawa:
Overall the budget consciousness is very high, is not it? I'm a phonether, but I care about such a budgetary thing.

Tsuchiya:
It is already, really. I was surprised when I entered.

Watanabe:
Another place, yeah. The monkey. I made a big deal.

Tsuchiya:
Yes, it is not really at all. Where there are many people heading for budget like Taito.

Watanabe:
When I remember, I thought "why are you seriously doing it?"

Ishikawa:
Well, there is such a thing in the wind that you do everything inside.

Tsuchiya:
Yeah, I was really surprised to do everything inside.

Ishikawa:
No one will do it.

Tsuchiya:
I understand that nobody does it, but since I am doing too much at all, when I got in here, I said, "Wow, this is also done, do this too?" I was surprised and passed through. I thought that if I thought that I could make use of the knowledge of the game making which I was doing up to halfway by coming in midway by making sounds, it was completely different.

(All lol)

Watanabe:
With another vector.

Tsuchiya:
"This is bad!" Starting almost 0, what I am doing is quite different.

Small salt:
When I said "I want to put out a CD," I got a paper like a sky's profit chart saying "Please write this first." "How can I write it?"

Tsuchiya:
I thought that the CD would come out as the game producer rides.

Furukawa:
It may have been such a long ago.

Tsuchiya:
I was surprised because I did not have an image to plan and do it on our own.

Ishikawa:
In our case, since we launched our own label "ZUNTATA Records" in 1996, the height of consciousness concerning CD might have existed since then.

Furukawa:
The knowledge of printing and design relationships has improved a lot, each member. I do not have to do this.

Ishikawa:
I agree.

Tsuchiya:
On that occasion, in anticipation of "I might possibly give out the soundtrack or distribute it", I started to have a habit of considering the song title to some extent.

All together
Oh.

Tsuchiya:
Until now, I have not thought about anything when making game songs.

Furukawa:
Song name, it is most annoying.

Tsuchiya:
Recently there is a place called "maybe," and the habit of keeping thinking somewhat before.

Uda:
Great.

Small salt:
I have not thought so much though.

Tsuchiya:
To some extent, who might have thought for a moment in your mind without trouble.

Furukawa:
But is not it less troublesome than making songs? What is a song title?

Tsuchiya:
No, it is the most troublesome.

Watanabe:
It takes more time than making songs. There are lots of things I can not understand from the middle (laugh)

Uda:
Well, it's really quite right. I am also appropriate. "Cave 1" "Cave 2" It is good, like it seems.

Tsuchiya:
Perhaps when everyone comes out with the file name as it is, "BGM 01" will be lining up.

Furukawa:
It used to be good in the past.

Small salt:
The first song is BGM 01 and the second song is BGM 02, too.

Uda:
I feel nostalgic like "1 side" "2 side" ...... 1 side. "One song".

Furukawa:
I do not say it recently, the first and second sides are.

Ishikawa:
But song titles of Uda-kun are strange.

Uda:
really?

Ishikawa:
I have it.

Furukawa:
Pazobab (Puzzle Bobble) 3It is amazing.

Ishikawa:
What was that,"Thermal Dance - with Mama -Or like that.

(All lol)

Tsuchiya:
Somehow it is (laugh)

Ishikawa:
I do not understand. What, "heat radiation dance".

Uda:
I was wearing such a thing.

Yamada:
Wearing.

Uda:
Surely the name of the song is serious. really. I think that it is all right "cave 1".

Tsuchiya:
There are a lot of weird things when you watch the names of the songs of ZUNTATA's seniors. If it says weird we are it.

Small salt:
It's changing.

Tsuchiya:
I have one thing. Did you not think "Do it normally?"

Furukawa:
You think so tremendously.

Yamada:
It is told that "heat radiation dance" was attached normally.

Uda:
No, I do not remember anything even though I told you that there was something like that anyway.

Ishikawa:
Although the songs were not changed at all, it is only strange song titles.

Uda:
Thank you very much. I do not know if it is good or bad, but (laugh) When I was enrolled, there were many artists.

Sakurai:
I agree. After all, each one has strong personality.

Furukawa:
I do not want to be something similar to others. I do not like to wear it with members. Especially that's right. I do not want to do that game-like song title.

Uda:
I thought that it would not be possible for everyone to choose words that would spread out too much from the name of the song. I thought that the liner notes in the CD, design, etc. are attached to thinking about the further side of the song. Everyone was artistic. Even just in the arrangement of the song titles it feels like a novelist.

Yamada:
Sorry for a moment ...... Now I can not persuade you what I say (lol)

(All lol)

G:
When making songs, are not you thinking about song titles so much?

Uda:
I do not think.

Furukawa:
Perhaps the person thinking is probably a minority. After all, everyone makes it for work, so I will write as "What sort of rounds" for the time being, so when I decide to make the album of that game, the timing to add a song name is almost like "Do you think about that?" Is not it?

Watanabe:
Or maybe when it's boiled down.

Uda:
I thought that Mr. Watabe and Mr. Furukawa would make it considerably after thinking. I wonder if the name of the song is in the middle.

Furukawa:
It is not myself.

Watanabe:
Depending on things.

Uda:
really.

Watanabe:
So that's when it's boiled down.

Uda:
Mr. Watanabe is quite an image sketch that I said a while ago, but first of all in sentences, are not you?

Watanabe:
That will be a shield if you do something like that. When something was said (laugh)

Ishikawa:
What is it, its disrespect (haha)

Watanabe:
Yes, I am disrespectful. "I am doing my best, so forgive me for sorry".

Uda:
When I caught a glimpse of various words many words were beautifully written and I was swelling the image from there.

Watanabe:
No, I did not do it. I am just writing.

(All lol)

Uda:
Please do not tell me you are lying so do not (laugh)

Ishikawa:
I came out, left.

Uda:
But perhaps, you said you are doing something like this, have you inflated the image from there somehow?

Yamada:
Even if you do not try to compile it like that.

(All lol)

Furukawa:
But Mr. Watanabe, I thought so much. I was thinking a lot from visuals.

Watanabe:
There are things like that, but I have not thought of it. As expected.

Furukawa:
I have been watching for you today.

Watanabe:
Please stop watching me (laugh)

Furukawa:
I think quite a lot.

Watanabe:
It really stops sweating, and that is (laugh)

Furukawa:
Rather it was not my own thinking.

Uda:
really?

Watanabe:
You'll give it up before you think, you guys (lol 9

Furukawa:
Yeah, I'll think about it for the time being. After raising it, I'm thinking about the reason why I made this song like this.

Watanabe:
He is the fastest, the job is.

Furukawa:
No, that's not true.

Watanabe:
Perhaps, I think it is the fastest among the members in this. no doubt.

Small salt:
"COZMO" was also completed most quickly, did not it?

Furukawa:
But I was worried a lot. When I thought that I was going to make this song, I ran into a room for about a day and thought, "I can not do this, let's refuse."

Yamada:
Well?

Furukawa:
I was worried about it. For a while I thought "this can not be done". But after all, I managed to take shape of myself. "Oh, I do not have to do this." However, until it reached there was a terrible hardship. I thought, "This is not really bad ......" When asked about the theme of space, "What is the universe?"
"The universe, something is wide and there are stars ...".

Sakurai:
It is surprising

Furukawa:
"So, what will you do with it?" It was very hard to connect from there. Though it is my case to the last.

Ishikawa:
How was Mr. Watanabe? This 25th anniversary.

Furukawa:
Yes, Mr. Watanabe came with unexpected touch, this time.

Watanabe:
Oh, did you hear that?

Furukawa:
I heard what I heard.

Watanabe:
Did you ask him?

Furukawa:
Yes Yes Yes. "Well, I thought you came this way."

Sakurai:
Yes, it was unexpected.

Ishikawa:
I was a bit surprised.

Watanabe:
Um, that's Take 7.

G:
7!

Watanabe:
Actually I made six songs to write this. There are different versions and different versions.

Furukawa:
Because it was completely different if I thought that I would come on more regular routes.

Watanabe:
What kind of route do you usually have? There are quite a few drawers (laugh)

Furukawa:
Something, fluffy fluffy.

Watanabe:
Oh, you're talking, ambient like lineage? "Tree of this tree" came out in the story of the previous shrimp, but it is the time zone after that, what I liked. Documentary series.

Uda:
Yes Yes Yes,"A wonderful world trip"And.

A wonderful world trip OP subarashii sekai ryokou - YouTube


Watanabe:
Yes Yes Yes! That neighborhood.

Uda:
(Melody by humming)

Watanabe:
Oh yeah yeah. I wanted to do that ah.

Uda:
That time zone.

Furukawa:
I leave the young people as a source (lol)

Tsuchiya:
it's completely okay.

Watanabe:
This time for me was the "universe" that was it.

Ishikawa:
Which one? (Lol)

Watanabe:
Well, strictly it is not "the universe" itself ...... I wrote this in the booklet of the album, but in the past it was not that everyone in the world could travel. So, just by going to the distant countries, which planet is it? (Laugh) 's exotic songs flowed.

Furukawa:
About that, something awesome imagination.

Watanabe:
Now I am quite comfortable going on a world trip. For example, going to South Korea is something like 20,000 yen, it is becoming such a world, probably it is likely that after a day, perhaps it will be like "just come a bit Mars in the future".

Furukawa:
I see.

Watanabe:
So now it is probably like that something like this song.

Furukawa:
It was good everyone's songs this time.

Ishikawa:
It certainly is funny this time. With a rose buddy.

Yamada:
Roughly (haha)

Furukawa:
I did not expect that it would be so scattered.

Yamada:
I did not think either. I thought that it would be "such a lineage".

Ishikawa:
As a group I compiled, though it is more disgusting than I thought, it is a place where I got a set as an album.

Furukawa:
Yes, I guess. I think so.

Ishikawa:
Actually, I was thinking that it will not be packed up. But, as 12 songs gathered, I was relieved a bit because I heard it as a single album properly. In this time, you just set up a vague title "Space", you did not put constraints on the song. So, perhaps everyone thought about going far beyond the universe.

(All lol)

Uda:
People who tend to go out were only people.

Ishikawa:
Many people tend to go out. In that sense, it does not deviate. I was wondering what to do if so - called avant - garde things only happened. It looks like contemporary music.

Watanabe:
"Dawn, Garagaran!"

Ishikawa:
It looks like "Dronond, Ca! Because it did not become so, it was good.

Yamada:
It was okay even if we had about one song.

Ishikawa:
I agree.

Yamada:
Oops. Was it there ...?

Ishikawa:
It might have been surprising that there was not even one. Even though I even thought that there seemed to be no songs.

(All lol)

Ishikawa:
Surprisingly it was not.

Sakurai:
That is ZUNTATA, is not it? That's it, the difference between the characters.

Ishikawa:
Because they were aiming, but they were aiming for being separated. On the other hand, if everyone was just cool, it would be boring with that, but it was not good at all so I wonder if it was okay.

Uda:
It is a strange album, is a wonder in a good meaning. Through the whole thing I heard it all, it is something strange.

Watanabe:
Er, were you tired?

Uda:
I'm pretty tired.

Ishikawa:
That makes you tired. Because every single song is enthusiastically entered, so it is decided to get tired.

Watanabe:
Please do not hear me through. It's too thick to see it (laugh)

Furukawa:
It certainly uses physical strength.

Uda:
I'm a perspirator, if I've headphones (lol)

Small salt:
It is not suitable for working BGM.

Uda:
Yes Yes Yes.

Furukawa:
Did not the story make a difference?

Ishikawa:
No, it's okay, because this is a promotion for the 25th anniversary album, it's just right.

G:
I'm from the story of the album, so I'd like to talk to the future of ZUNTATA here.

◆ The future of ZUNTATA, the next ZUNTATA member statue
Furukawa:
From active members.

Small salt:
how is it. Is not it first from Ishikawa?

Ishikawa:
But even if we say the future ...

Small salt:
Because next time, for example, if it feels like 50th anniversary.

G:
It means that we have not actually summarized it for 25 years so far, is it next 50 years anniversary? I feel like that.

Ishikawa:
The next thing would be something in the 30th anniversary if we think about it properly, but since I made the 25th anniversary to this big festival so much, I wonder if the 30th anniversary is quiet.

(All lol)

Ishikawa:
About 25th anniversary it is a project that spends time and labor to put on a spirit, so it seems impossible for something more than this for 30th anniversary ... .... Well something quietly hurts.

Small salt:
I guess quietly (laugh)

Ishikawa:
Quietly. Well ... Well ... 50th anniversary, hey, if you can go, if there is ZUNTATA there it is amazing.

Sakurai:
That's amazing.

Ishikawa:
Perhaps there are no more people at that time, I am not in this world.

Yamada:
But it will be in 25 years. There (lol)

Ishikawa:
Oh, I wonder if it will be in 25 years ... ... 25 years later.

Small salt:
Just when Mr. Ishikawa was retiring?

Ishikawa:
By that time ZUNTATA of that generation will do something beyond my imagination, surely. I do not decide what will be the future for the future, I think that the members of ZUNTATA at that time should think about it. Even though "ZUNTATA" is said to be a Taito sound team, we will only make music for the game, now and now. It is exhausted to it.

Small salt:
I feel like I have nothing to say .... Well, what I care about is, I'd rather have a new member soon.

Tsuchiya:
I have never got a junior.

Small salt:
Yes, still I am the bottom.

Tsuchiya:
Although it is not a falling edge, there are no juniors (laugh)

Small salt:
It is the youngest member ever.

Tsuchiya:
As for this member ... ... Because everyone is the same age, it is natural.

G:
Do you have something to expect from a new member, or if a new person should come up with such a person?

Small salt:
Well, I think that one thing you want is something, "I want you to express the present." I thought of that as well, so I intended to do so,I want you to make TAITO games with the current sensitivity. I say this kind of thing in front of the seniors, but I do not want to be bound by the history of the game music so much, please let me hear the new game music ... ... There is no cohesion, so let's go.

Tsuchiya:
I think that the great points of ZUNTATA have been somewhat irritated by seniors. As I have been doing a lot of free things, thankfully there is almost no restraint that "This is a game music like this". Therefore, I am also allowed to make the sound of the game with ZUNTATA, I am allowed to include many expressions so much, I think that it is a rare place.

Small salt:
I certainly think you want it to be a strong sound.

Tsuchiya:
What?

Small salt:
I thought that there was agreement there (laugh). Well, we are not the one saying "How about this one?" I stepped into the game. Well, I also write vocal songs without permission, but since I've done that kind of thing, I think that I want you to be an active sound.

Tsuchiya:
Something 'feeling going away' appears.

(All lol)

Small salt:
No no no.

Tsuchiya:
Something, ZUNTATA has been feeling freedom forever. I feel very free.

Ishikawa:
In future I think that brands like ZUNTATA will remain.

Small salt:
"I guess," (laugh)

Ishikawa:
Well I guess it will remain until the future.

Ishikawa:
To the people of the future ZUNTATA, "It is ZUNTATA", if you do not want it to be so heavy, you do not have to think about anything separately. Because it is ZUNTATA, I do not care what it is supposed to do, I must value the things like ZUNTATA. Just say, "Let's make the sound exactly". Think of the sound of the game, things about the game. If it does, it probably is not that it is ZUNTATA. I do not get pulled by name, I think that it would be better to think with a little hat, a little hatred.

G:
So, I will go on a PR talk about what you are doing now.

◆ Recent Activity of OB
Furukawa:
These two pieces are nowSweep RecordI handle it from the place called Mail order. I guess Sweep Record probably comes out if it goes well. Because it treats it there.

Yamada:
What kind of CD is it?

Furukawa:
One is "Nakayama's bock"Originally it was a mini album that gathered a bit of something that was not made into an album so far, with songs that were originally made at work or made by coterie. Another is "I ghost storiesThere is a ghost story of the iPhone application that says, that will be its soundtrack. Everything scary songs are included.

"Nakayama's Bake" listen movie - YouTube


【M3-2011 Spring】 "i Kaidan Original Soundtrack Part 1" 【Advertisement】 - YouTube


Uda:
Fun fun. I will ask.

Furukawa:
I like this jacket very much. "MourningIt is a system jacket, it is said that a beautiful girl is bare. This is "lost" in the new era.

"Nakayama's Basketball" Jacket


This is Mr. Furukawa's favorite "Jacket Kaidan Original Soundtrack Part 1" jacket


Sakurai:
Really.

Furukawa:
"Lost" in the new age. Yeah, nobody agrees.

(All lol)

G:
Is there anything else?

Yamada:
Well, I have been making songs of the local idol unit now, it is a limited time unit, that. It's only for a year, and it's until December of this year. "Water Big Okaki Basho CorpsIt is a unit of five girls, it will be broken soon, so please go and see if you do not mind. It seems that there are national bodies in Gifu Prefecture this year, seems to be getting out a little about nation-related events.

Furukawa:
Mr. Yamada is not an idol, is it?

Yamada:
I am idle .... I do not think so.

Furukawa:
Mr. Uda?

Uda:
Well then, is it for me? I have two things. I sang it as a vocalist in this album of this time,Kaori KeitaI'm singing to someone like you, but the anime "Maria-sama ga miteruI mean ...

Furukawa:
Oh, Maritime?

Uda:
Do you know? Well then,Shounen Onsang"The theme song of the animation is also sung, such as the artist who is singing, and live is well done, so if you do not mind, please visit us. Also, as men who I was involved until last year,CheburashkaI mean.

G:
Oh, Cheburashka.

Uda:
Did you know, I was in charge of that? Anime's "Are there Cheburashka?"I am a drama and movies, I am also in charge of several original shorts of seasonal limited release.

Watanabe:
really?

Uda:
DVD and so forth are out.So please look at various things. With a relationship from the original guy, "Cheburashka" pretty well has a great edge and I am doing a lot.

Yamada:
It seems like a bear? What is Cheburashka?

Uda:
Oh yeah, big ears. Russian "Cheburashka" series, thank you.

Watanabe:
Is it so? Wonderful, animation.

(All lol)

Watanabe:
I wonder what I should say. I am doing various things. Thank you, looks like.

(All lol)

Uda:
The rest ... ... The people outside here are recruiting for work.

Yamada:
surely.

So, as mentioned above, Mr. Yamada is a limited-time idle unit until the end of December,Water capital Ogaki Basho party "Sweeeeet!"I am in charge of making and arranging music for.

Mr. Uda is an animation "Are there Cheburashka?"I am in charge of music, such asCheburashkaVarious in relation. Recent songs, vocalsKaori KeitaHe said that he was in charge of him.

Watabe-san's album "Round of optical rotation DUO -fullflat- sound tracks vol.2Is on sale at Sweep RecordShop. Also, Novell & Album "Round of optical rotation DESIRES ROULETTE SOUNDTRACK × NOVEL"Has become a monopoly product of the enterbrain shopping site ebten (Ebiten).

Mr. Furukawa's album "Nakayama's Bashi" "i Kaidan Soundtrack Part 1" that came out even in the storySweepRecordShopIn addition to being on sale well, original album "Memory of ThroneOn Amazon (MP3 music), iTune Store and others. In addition, it is said that we are also looking for a wide range of music and sound effect work regardless of company or individual,Furukawa's official websiteFrom here.

◆ Meals supporting work
G:
Finally, please let me know if you have foods, drinks etc. that support such work like "If you eat this, you get on" or "I can not do this without taking this!"

Furukawa:
It is a corn potage of a small salt. For the time being a corn potage. "Garrigal, you corn potageDid you eat?

Small salt:
Well, I have not got it.

Ishikawa:
Something like selling something has stopped selling too much.

Small salt:
Yes, it's too much to sell.

Yamada:
really? I wanted to eat it. It's a tasty rumor. I feel like I'm garrigal with a bit of luxury.

Ishikawa:
Speaking of the story of food, it will be talk of the era when Naka-jen (Taito's central laboratory located in Yokohama, before)Fujiya RestaurantAnd……?

Yamada:
Birthday party to receive humiliation at Fujiya restaurant?

Ishikawa:
Yes Yes.

Small salt:
Shame ... ...? Do you have a birthday party at Fujiya?

Ishikawa:
so. I think that it is basically a service for children, but at a Fujiya restaurant the shop celebrates when going on a birthday.

Yamada:
I can not carelessly tell her birthday, at that time Jakarta. "You are my birthday today, I will go to Fujiya," and you are taken away, "Today is ○○ chan 's birthday! Let' s say congratulations everyone!

Uda:
The flow is already.

Furukawa:
great.

Yamada:
Photographs were taken with Polaroid somehow, it seems like a cake with a huge fireworks.

Sakurai:
There is.

Yamada:
I am forcibly suffering from embarrassing eyes. Do not say absolutely.

Small salt:
There is a company that can not say a birthday.

Tsuchiya:
When the sound house shop is getting busy, there are those who are eating with stress and those who get fat and those who gradually get thinner due to stress. We are the type to eat and fat.

Small salt:
I drank too much corn soup.

Ishikawa:
It's only you.

(All lol)

Tsuchiya:
How was it like at the peak? Were you the type that grew bigger and bigger? Were you a type that was getting thinner?

Yamada:
It is a type to get fat. I went to eat steak in the middle of the night.

(All lol)

Tsuchiya:
It is amazing.

Ishikawa:
That food is heavy.

Furukawa:
At that time, there was a heavy food around the JNR.

Watanabe:
So I actually did. "VolksLet's go "(laugh)

Yamada:
When I am almost busy, in the middle of the night Volkswagen, hamburg.

Furukawa:
heavy. Heavy.

Ishikawa:
With such a feeling, is it okay? (Lol)

G:
Yes, it is okay. Thank you for your interesting story for a long time today.

At the end group photo.


Listen to the 25th Anniversary Album "COZMO" made by such members gathered here PV here. The release is October 31, and 2 bonus discs were addedThe first limited edition is 5040 yen including tax,Regular version is 3990 yen including taxIt has become.

ZUNTATA 25th Anniversary Album "COZMO" listen PV - YouTube