"I want you to see it in the mood while traveling with the children in the universe", director & producer of the movie "Welcome to the Space Show" talks in Tokushima

© A-1 Pictures / "Welcome to the Space Show" Production Committee

It took over 2 weeks from January 22 to February 6"Machi ★ Asobi vol.5". Among them, what was done as one of the highlights was "Anime premium screening"is.

It is screening all nine pieces including TV animation, OVA, theater animation etc on a large free screen admission, and depending on the work, it is OK to listen to the raw audio commentary by the production staff and to murmur on Twitter during the screening And an interesting attempt different from ordinary event screening.

Among them, the movie which was released in 2010, BD & DVD was released on February 9, 2011 "Welcome to Space Show"Was released and the director'sKoji MasunariAnd a producer Tomonori Ogoshi talk show was held.

Details are as below.
Welcome to Space Show
http://www.uchushow.net/


First of all, from the greeting before the movie screening.


Director Masunari Kaji (Masayoshi):
It's my first time in Tokushima, but I think it's a pleasure to screen with the halls. Please enjoy slowly. I wonder if this movie is the best way to see the power of the shoulder. It is a summer adventure by children, and it does not match the present season a bit for a while (laugh), I hope you will be able to feel a hot feeling by watching a movie.

A - 1 Pictures Yoshinori Oshigoshi Producer (hereinafter referred to as "fall"):
Though it is a work released in June last year, thank you for calling Tokushima in this way. I think that I would like to see as many people as possible, so I have 2 hours and 16 minutes, but I think that you should look carefully. Please enjoy.

Aniplex Shinsuke Nomura (Nomura):
As we advertise, Blu - ray and DVD will be on sale on February 9th, so after the screening we will listen to the story of the neighbor and listen. Then please enjoy.

So after 2 hours 16 minutes of screening, a talk show with 3 people was held.

Masuya:
Thank you so much that I had good patience with the long movie of 2 hours and 16 minutes. This movie is a movie made with a body to travel with children, so I think it would be great if you could taste the feeling that you are traveling when you are watching. After thinking over, I think that each impression is different. The movie has completely different impressions depending on who saw it, as if the mind moved to what it was on the road. I would be happy if you could talk it with your friends. Would it be possible to complete what I wanted to do with this movie if you do things like sharing values ​​different from myself. I hope that it will be successfully conveyed.

Falling over:
I decided to launch a studio that made this movie called A-1 Pictures in February 2006, and if I had thought that "If there is no work first, I will not talk", I went to Masunari in March about " Let's say "Let's go" was the beginning of the story. The movie was completed in the fall of Otoshi, I think that I am very glad that you are getting applauded by all of you watching it in 2011 as well. I really appreciate those who have seen the work.

Nomura:
I would like to ask Masunari-san, where is the scene where the most number of drawings was the most?

Masuya:
Suddenly it is a story of the number of sheets (lol) I can not flip the number of sheets in the scene, but the biggest number in one cut unit is a supernova explosion cut. There are only about 1,200 light effects of the cosmic festival. If it is an anime of 30 minutes in the past, it is about one third. The number of cuts is 1664 in this volume, if you insert a monitor cut or 1850 for example. If it is an ordinary theatrical cartoon it is roughly 1200 cuts in 90 minutes.

It is around "Space Festival" which Masunari's story came out. Here I am diminishing the size to display on the site, so if you are a Blu-ray you should be able to realize the effectiveness of the effect with full HD.




Nomura:
Do you want to make it once more?

Masuya:
I hate it, it's hard. (Laugh)

Falling over:
Both I and the director are the first time to make a movie, I knew it was tough, but this is said to be such a thing. Because I can not withdraw on the way, I have only to do it already and it is ready. It's about twice as large as the imagination. Initially I was talking about going on a scale of about 70,000 movies, but in the end I went to 140 thousand copies. Most of the alien moob is made of CG. I can not do the same thing anymore. Next time I will make it better.

Masuya:
Oki - kun does not brake. Because there is only an accelerator.

Nomura:
This work takes about 4 years of production time, it is really a great masterpiece. Blu - ray and DVD will be on sale on February 9 (Note: the event was held on January 30), I would like to easily ask about the highlight. How about the Blu-ray main volume disc?

Masuya:
Audio commentary is included. There are a lot of recorded memories, but there are 3 kinds in all. There was one commentary like casting with a commentary like a tavern that I did with three people, including Yukigoshi and Kurata (Hideyuki), and another one is Staff's Ishihama (Masashi, Character Designer) Also put Shiho Takeuchi and others.

Nomura:
Director and Mr. Kurata did 2 hours 16 minutes three times?

Masuya:
I only recorded all three times. Also, at the desire of a music pond (Ryohei), BGM collection is included in 5.1ch version.

Nomura:
There is a 5.1ch version that is not included in the released soundtrack.

Falling over:
I can not put up with the sound quality of CD! And (haha)

Masuya:
Stereo is not allowed (lol) But I can not ask you if I do not have 5.1 ch. Also, although the scene at the beginning is mostly only music and sound effects, the alien who escaped there actually played a very strong play and voice was also recorded, but I cut all through dubbing I am sorry for the actor. That's why I put on a voice with a voice on it.

Nomura:
It means that the scene at the beginning you see today is in a different version.

Masuya:
Although it is a man's voice even though it is (laugh)


Nomura:
Also please give me benefits.

Falling over:
Contains movie in there. A masterpiece of a masterpiece that the director took two years. I think that you should be able to watch it as it is supposed to be enjoyable while comparing with the completed screen with the main voice.

Masuya:
It has a token of content.

Falling over:
Although there are many things that will follow only the picture when it is a contest movie, this time's guidance is written next to the picture story, such as instructions on drawing such as "This is a kind of play".

Masuya:
If it cuts for 5 seconds, only 5 seconds are not printed, but because there are contents that can not be read in 5 seconds. I feel like I can not read without stopping once.

Falling over:
If you make it to paper, then (laugh) Afterwards there are bonus footage that Ryusuke Hikawa navigated with something like an interview collection, there are story of the director and staff's hardship story. In addition, there is a re-edited version of the variety created "Animated Human" broadcasted before the theatrical release with Animax, you can see Ken Koba and Chiaki Kiyatake.

Masuya:
That's right, there are two leading characters. Chiaki Kiyatake was cute. Kenkoba was also cute (lol)

Falling over:
Okama 's corner is very interesting. It says that air stops like this (lol)

Masuya:
Kenkoba is seeking help from me with such a tricky eyes (laugh)

Falling over:
The moment the creator writes a picture, you can feel that the air stops in this way.

Nomura:
Especially the picture contest movie director Masami's directive is really interesting and there are places to watch. There are many instructions on how the director will let the character act, so I think that you should watch the neighborhood by the privilege movie by all means.

I will accept if there is a question from the customer, how is it?

Q:
There is a city on the back side of the moon, I think that the sense of the UFO or alien design is not a bit old-fashioned that I do not receive much for today's people ... ... I was quite impressed with what I intended, Is it what you did?


Masuya:
It is just a thought (lol) As a sense, I think that it is what you are doing with SF. I guess there are a lot of people doing seriously doing it to bother to make new things in SF. So I wonder if those people will be able to make new SFs. Actually, I and Kurata Hideyuki are not very good at science fiction. I can say that I almost do not know SF. In that I thought how to make SF ticky things. It is a matter of where to put the main axis. When placing a main spirit on the SF, the city behind the moon this time may be old as an idea, but without putting a main spindle there, everyone has vague "What is the universe It is a way of thinking that you can enjoy enough with this SF feeling when you put the main part of what kind of drama you can make when the child talks about the question "Is it something?"

Nomura:
Vehicles exceeding the speed of light are all creatures. That was fresh.

Masuya:
I thought about that part.

Q:
In a scene walking in the mountains there was a stick to pay a spider's web and was convincing even if the person walking in the mountain actually saw it. It is one point that I wonder how it was interviewed. There are more details, but some of them are similar to a certain program's aliens at the daycare center behind the moon, are they relatives or something?

Falling over:
About the latter question, that is totally different. That is totally different! (Lol)

Masuya:
(Laugh) Then, about the former question. Basically, what is called director is made with sympathy. When people see it, how many things remind you of "Oh, this!" Is the basis for the production of images. I do it exactly. That scene is just keeping the memories that I experienced while walking around the mountains when I was a child, so all I sympathize with seeing it is that they all have similar experiences when I was a child is. So I do not bother to interview. By the way, the latter may be "ぽ い" because of the color, but that has the name "Yaboo". Yaboo has a father, and it is Yaboo Papa who is doing gambling. It is a sight that is frequently seen in Japan, that fathers are depositing in nurseries while doing gambling.

Nomura:
I have come to the later space festival with the money I gambled at that time. The truth is when it comes to the end. There are such details, please buy Blu-ray and look back.

Q:
I'd like to hear not only the group of the hero but also if there is a person who has a personal feeling.

Masuya:
I am always in trouble with this question.

Nomura:
By the way, I am ink.

Nomura's favorite ink.


Masuya:
When I make things, it is a useless type unless I like characters, so it is correct answer that I like everyone. However, that is boring, is not it? When I got an interview before, I was asked "Who is close to the child of first love?" By saying "You can choose different way of listening". At that time I chose Nishimura Rinko. So what I like is Rinko ... ... No, no, I like everyone (lol)

Falling over:
I am a hero Koji Harada behind the back. Love or something, only one person repeating parting and parting.

Q:
The most favorite thing in this work is an alien with a strange outdoor design, but how much space alien was designed including movies when making a movie?

Masuya:
About 120 bodies of the alien who becomes a large book are drawn by okama. Based on that, Morisaki-san of the design put on clothes, or okama got a licensed newsletter to discover a new design, making 200 dozen bodies in total. There is also a story that there are 400 entries in one story, and there are things that I do not even grasp.

Falling over:
Okama draws it without permission. As I draw dozens of body for about two hours, it is like feeling I have no choice but to do this.

Masuya:
The design of Netopo or Tony is actually not made from the beginning saying "Please NEEPO" but when I saw the okama's drawing drawn during the meeting "This will be a nete, this is Tony I decided that.

Falling over:
I do not understand the meaning of mayonnaise stars.

Masuya:
There is a star whose goldfish is squirming down. It seems that the setting of such an idiot alien and the unpleasant naming sense are selling books like "Welcome to the Space Show". Is it a setting material collection (→ "Welcome to the Space Show Setting Information Collection"), It seems to be listed on it, so if you are interested, you can see it. Because the head is a lump of design that is likely to turn to hen.

Nomura:
Is Pochi's design Ishihama-san?

Attractive characters. From the center left, a dogish appearance is Pochi. It is surprising even if children are not girls with this voice like Keiji Fujiwara ("Crayon Shinchan" Hiroshi Nohara, "Mobile Suit Gundam 00" Ally · · · SA · SAES etc).


Q:
If you want to eat the wasabi sprinkle that Zhou are eating in the play and get on the net, New Year 's cards arrived from the manufacturer on New Year' s Day. It is not much related to the space show, but when the screenwriter Mr. Kurata listens to the audio commentary, I always think that the voice and how to talk to the singer Tatsuro Yamashita are similar. But, as no one understands this, director or producer thinks about this opinion.

Masuya:
I have never thought of it, but what is definitely different is singing skill (lol) It looks different.

Falling over:
It may be similar in appearance.

Masuya:
I have not heard of where Hideo is singing.

Falling over:
I have seen something about screaming about Anison for about a while.

Q:
Please tell me how you set the age of people in Pochi.

Masuya:
As a human being, I am 35 years old. I have to squish it when I am making a role. So it's about 35 but I am looking young.

Falling over:
35 and go around (laugh)

Masuya:
It is a royal road. I also make it as a setting as to why I have romantic emotions in the circumference. Because the universe is a child, it is made to the world which took away the notion that she should not do this. That's why no one can stop when the children make a byte at the moon. Even inside the town I am letting my child get a job bye when the child comes to work. That is not just being a child's being protected but the things the child wants to do is to do. If I say "I want to quit", I can say "I can quit separately." But if you are in trouble, I will help you. It is this time that it is not only children, but the troubled people have established the morality of the universe with the sense that they will help.

Falling over:
Pochi interprets the neighborhood ne.

Masuya:
That kind of moral thing did what happens when children treat them as people.

That's why the talk show ended with a lot of questions and answers. In the end, he performed the scissors and handed over the press kit made by Masunari and Mr. Etsukoshi to the winning press kit for the press before the screening.


By the way, there were some questions asked to the director even during this personal delivery casually.

Q:
"Kamichu!I want to see the sequel of

Masuya:
Thank you for your imagination (laugh)

Q:
"R.O.DWhat about (sequel to)?

Masuya:
That is up to now ...

... apparently ...

"Welcome to Space Show" BD & DVD is now on sale well.Blu-ray full production limited editionIs 12,200 yen (tax included),Blu-ray Regular EditionIs 6090 yen (tax included),DVD normal versionIt is 5040 yen (tax included).


In addition, in the spring of 2011, the director himself stated a storyboard drawn up perfectly"Welcome to the Space Show" Picture Contest CollectionIt is going to be on sale. It seems that it is a permanent preservation version of fan sprinkling over about 700 pages including preview cost 3500 yen (tax included), in addition to the storyboard complete version of this volume, Koji Masunari interview. Sales areSony Music ShopIt is limited sale, so we are currently accepting reservations, so please purchase with BD or DVD.

© A-1 Pictures / "Welcome to the Space Show" Production Committee