It will be like this when photographing the state of the contemporary F1 Grand Prix using the camera 104 years ago
The F1 machine that runs through the eyes with tremendous speed is a perfect subject for cameramen. With modern digital cameras you can shoot high quality pictures for 20 seconds in a second, but one photographer uses the antique-class camera that was made 104 years ago to show the appearance of Formula One Grand Prix in an atmosphere I put it in a certain photograph.
Photographer Shoots Formula 1 With 104-Year-Old Camera, And Here's The Result | Bored Panda
http://www.boredpanda.com/photographer-shoots-f1-old-graflex-camera-joshua-paul/
Photographer Joshua Paul photographed the Grand Prix with a retro camera too much. In 1913 I brought a 4 × 5 inch press camera manufactured by Graphlex Corporation to the field of the Grand Prix and put in the F1 machine, the pit and the driver's expression which runs the circuit with other photographers.
The work that was filmed like this is as follows. Of course, photography is a black-and-white photograph, and it is finished in what has a unique particle feeling.
A machine that runs while raising the splashed water in wet condition. It is felt that it has become a photograph with a really atmosphere, such as particle feeling of water smoke and vignetting where the four corners become dark.
Also the appearance of a woman who colors the circuit.
Pick up active duty F1 driver Daniel Ricardo. It is a picture of a driver who should be common, but there is a sense of air not being told.
Paul said that he got this camera from his own instructor Jamie Fee. A camera that could be handled as a substitute for Mr. Fee's helping clean up the darkroom is a groundbreaking presence of a battlefield photographer and a work exhibition in Japan may be heldMargaret Burke-WhiteIt seems to be the same model as what Mr. was using.
Paul, who was asked about the difficulty of shooting, said the shooting itself is not difficult, but he says that there are difficulties in processing such as development after shooting. Originally it was said that Paul, who had nothing to do with the Formula One Grand Prix, triggered the Grand Prix, because there was a schedule convenience. Paul, who knew that the F1 Spain Grand Prix would be held at the same time just as he was planning to shoot the concert of the rock band "Blur" in Spain in 2013, is an American automobile magazine "Road & amp ; Track "to apply for shooting. Mr. Paul who received permission from the Grand Prix three days before departure was invited immediately to the "Monaco Grand Prix" and was also invited to the rest of the race. Mr. Paul said he had not even photographed the car before then.
The situation of the McLaren team during the pit work.
Machine running through the corner
And McLaren Honda's machine goes out of the pits to the track. The scenery of F1 Grand Prix taken by Mr. Paul,This pageYou can see all four pages from.
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