Writer / editing / public relations, talking in three perspectives Anime publishing industry Bukkake crosstalk

"Is it so hard to publish anime books? Anime publishing industry person crosstalk"That is why I listened to valuable stories about the publication of animation magazines under the empty sky of Tokushima. Although the publishing industry itself is in a period of stagnation, men who put souls into soul fighting animation books are fighting the passion sparkling industry talk.

"Is it so hard to publish anime books? Anime publishing industry person crosstalk"

Gosho (5, below):
I do not think that it will come so much to the event that started guerrillaically, thank you very much. I wonder if you could see the flyer being written in a bit, or you could see it there. My name is Gosho, an animation style editing department. Thank you. It is Mr. Hirota of the writer.

Hirota (Hiroshi):
Thank you.

Five
Also, I wrote Andria at the flyer, but Mr. Takei of Madhouse's public relations.

Takeshi (below):
My name is Takei.

Five
From Mr. Takei, it is nice to name it here, but it is supposed to stop giving names to the flyer.

Takeshi:
I'm sorry (lol)

Customer:
Excuse me, can I take a picture?

Five
Mr. Takei ... ....

Takeshi:
Well, suitably, appropriately.

Five
Well then it's okay. So, it is the theme of today, but, "It is so much hard to publish anime books" crosstalk of animation publishing industry ", so let's talk about something three people gathering for the first time Loose projects but. Well then, Mr. Hirota.

Hiroshi:
It is hard for me to publish anime books because it is hard for me to do right now, so somehow I write it in email, then it became a feeling that it was not good with the title, so well, indeed the deep meaning is There is none. I think that it is difficult for animation books, so I wish I could talk about it.

Five
Mr. Hirota is a lighter so I was talking about that story, because I am in the anime style editorial department, from the standpoint of editing. There is a magazine of animation style, and now I got it up to number 6, though. For example, K-ON! Then K-ON! Saying that I want to do with this (and picking up the magazines in front of me) making it the cover is also in the middle of doing a movie, so there is a period of time to use this as a cover Then, there are circumstances like that. Although it is a popular work, it is not limited to us, it does not become a cover, and there are various circumstances that can be done ... ... Thank you very much. There are such circumstances (Iroha suitsetsu here) There are such circumstances, so if you can talk about such books from an editor who can do this anime books like this. Also from Mr. Takei from the standpoint of the studio ......

Takeshi:
I agree. From the standpoint of the studio. When publishing a book, I always provide some material, so I think if you can talk about what you think of behind the scenes at such times.



Five
Well then, tell stories from around here ....

Hiroshi:
Right now, just Ke! I was talking about the front cover. Various magazines are on sale! I made it on the cover, but why "Otona Animation" is why, K-on! so…….

Five
Do you talk about that kind of thing (laugh)

Takeshi:
Hahaha.

Hiroshi:
That I do not know a bit familiar with that, too, but K-ON! It seems you can not do it on the cover? Also, although I have an annual animation yearbook, I also helped a bit, but that did not mention a single word for Sunrise's work. Actually, I do not understand well, there is circumstance of each publisher. But, as long as you keep on sending out Otona animation, TIGER & amp; BUNNY and K-ON! Or you have to fight in places you do not have. If it says that this book can not be sold because it is not there, it is an excuse. I can not put a tieba, K-ON! I can not put it, but, when I sell it. When selling out and continuing to put out, "There is guts over there that editorial department." I think. Personally. high.

Five
Although adult animation is not a competitive magazine from an animated style, it is a paper magazine ... ....

Hiroshi:
I also write this. Because I helped.

Five
I agree. Mr. Hirota helped the southern president 's interview with the southern president of Bonds, I was talking about over there a while ago.

Hiroshi:
I told you to wake me up and have something that I've spoken all the time without leaving a single word, but I reassemble it and make it an article. However, Mr. Ogi is so severe that he said "This is not good," after twice rewriting, after all, another writer wrote, I just got it all together at first. That's why the use of free humans like myself for each editorial department is quite restrictive, as there are things that can be written at all freely. In anime style, Mr. Oguchi and Editor-in-chie is strong personality, so I have to write it together. There are various things.

Five
I agree. Even in manuscripts in the editorial department, for example, even for manuscripts I wrote, there are such things. I think that my house is quite special. Even in magazines that are not so, for example, writing in a magazine named Nikkei Entertainment, writing in anime style, and writing in Otona animation, maybe how much each reader has knowledge about Nikkei Entertainment Even if I write out maniac manuscripts a lot, "No, I do not understand the reader 's ... ... I know what' s great but please release it in a somewhat easier way".



Hiroshi:
I agree. So, there is a magazine that treats idol magazines and animation a bit like Top Yell (top ale), but there is also a K-on! There is a story that I want to do. K-ON! I want you to write how great the director's direction is, I was allowed to do it exactly as I liked. Tokyo Walker A separate volume, there was an animation feature, but "Mr. Hirota, K-on! Are you detailed?" "No, I do not know, I see it all at once," but if you say "Ah, then Ke-On! Please give me all 6 pages. " In that case, the editorial department has already gone up to the design, only the part of the letter comes. Please fill out this part of the letter. Oh, I understand. Then, if you think carefully about the character introduction ... K-on! It's hard to introduce characters with only a few pieces. Because the character nature is thin in a sense. Because there is a degree of freedom! It's funny, so if you write about 20 lines so much, is not it funny to reverse it? What. But since it is not an editorial department that makes a cart of animation, I do not understand so far. That's why it's K-ON! Whether it is told me to raise the charm of three, yeah well each ... ... Is not it different for each episode? Even if I say drawing, it is a story called "What is drawing?" Well, the format is different.

Five
By the way, it is an anime magazine and K-on! When I wrote a character introduction of myself, there is something called maker check. Basically, I do not check the interview article in the newspaper article, but in the case of such a specialty magazine, when it is spoken and it is basically put on the name of that person when putting it, it is showing the manuscript Ne, "I summarized it like this, is this OK?" People who are cheerful will be "OK" as they are, but even in fact we are, but there are things that sometimes it was a bit too good to talk about. When I say it as a character as it is saying "Someone is stupid" when it is said that it is OK in saying "idiot" in the flow of the story, but it becomes a bit There is an intense impression. After all it remains after printing, so you will be corrected to make it natural like that.

Hiroshi:
I agree.

Five
K-ON! If it is a character introduction ... or.

Hiroshi:
K-ON! Rather, the editing was done in such a way as to make it easier for ordinary people to understand, and it came out as it was without any modification.

◆ Positive summarize negative things



Five
I thought that the introduction of the character was funny sweets when it was the net and so on, but I think it is okay, but if I write too much to pass through, it is a bit of a thing to put on a magazine ... .... There are cases, too. Perhaps, in the position supervising it if Mr. Takei etc ... ....

Takeshi:
That's right. For example, if you are a creator interview, creators are not experts in terms of editing. It is a job to make, so the mouth may slip a lot. I think that there are quite a lot of people who think that "this is not good at all" when they meet. That's it, all together! Some people like to put in reddish feeling. As for advertising there, I understand the position of the publisher, but it is also a job to say a little whether I can think again before returning. Creator is quite well, there are creators who speak well, but there are times when people who do not talk a lot tend to talk that umpte is gathered and sometimes I talk about it in such a case Right.

Five
I agree. For example, if you are in a situation like now, listen to the story, in the second half of what you put in about 1000 letters, bugs that contain subtle stories! When it is said written and returned, there is a spot on the thing that space of 1000 characters is empty, so if you say "I shook the second half 500 characters," then "Well then there will be white".

Takeshi:
I agree. There was a Mook of "REDLINE" work, but there was a place where the producer slipped a little a bit, and there was a fairly violent red at that time. At that time, I talk with the inside and there is something to do back then after talking about "Here is a coco but there is a coco." Why, I think that it is important to talk about internal and internal consultation.



Five
When putting together such things do not get typewritten as the word is, at that time I wonder if it is possible to summarize a little positive things in a bit.

Hiroshi:
It is nice, that person is also pleased with the manufacturer, the production is also nice, the site is not rough, it is a good thing to do. But I usually interviewed and said, "It's like this guy, is not she?" Staff's air like something like that, I heard that the scene is doing like that, "Because he is a foolish guy" "That guy, I do not even have to say "If you put those words, I think that more familiar, humanity will come out. However, when I meet a maker, it is told mechanically that "Please stop saying stupid" or "Please stop negative remarks", but it's not negative from the whole when viewed from the whole. It's a very loving affair. The director's feelings for the series director. I wrote something like "It's going to be late again because of his boyfriend?" Although it's said that it will be troubled if the image that the production is delayed if it makes from the maker is delayed even if it writes, Is not he doing it? Is not that amazing? I want to say that I am always getting fucked up.

Five
I was also talking about three people talking before this talk show, but it is said that it was an anime magazine of the past or a cartoon of animation ... ... that story.

Hiroshi:
I'm quietly saying that.

MutsukuFive
I agree.

Five
I will have you check it now for everyone to look at everything.

Hiroshi:
I agree. I can not deny the side as an advertisement. If it is publicity you can write articles, almost like what you can interview. Anime style something ...... Is this related to Blu - ray? (And pointing to the magazine in front of you.

Takeshi:
Free distribution?

Five
This is not free, but also the reason for being honest ... ....



Hiroshi:
It seems like a relationship of trust with Mr. Oguchi ... ....

Five
I agree. This ... ... Why did you argue the Nadesico feature now? Especially it was not a story that Blu - ray BOX came out. In our case of Odori, not only editing of animation, but also writing scripts, or sending a despairing teacher 's book at home, but that was the big chance, Ogaki wrote the script of the desperate teacher' s series composition Because I'm doing, I wonder if there was a connection there. I think that despairing teacher is originated from Kodansha, so if it is normal it would be normal for Kodansha to issue an animation of despairing teacher 's animation. It seems almost anything, but if it were "Tora Dora!" ... Media Works? K-ON! So, Kobunsha, if you are Hagaren, you are Square Enix. Then, if it was an animated style "If that flower" was like this ... ... If it is original animation it is relatively easy to put out. Mad house is also pretty original anime ... ....

Takeshi:
There are, but there are not many animations selling ... (lol)

◆ Differentiate according to publisher's color

Five
'REDLINE' something is original and theater animation.



Takeshi:
That, of course, of course. It would be nice to have a Mook of "Kaiba". No one knows (lol)

Five
Mr. Masaaki Yuasa's director. Although it is "Kaiba" like the early Tezuka's picture. There is someone who knows something like "The Tatami Half Mythology College".

Takeshi:
That was because I got a moook. I appreciate it.

Five
It is the most interesting director among Masaaki Yuasa's director, but who's buying it with such animation ... (lol)

Takeshi:
Do not say it much (lol) But often it is easier for people with an original to sell themselves as anime books too. In the case of the original work, the man who obviously sells with the original work becomes a hook. If you have an original, you may buy anime meuc if the original is sold.

Hiroshi:
But now every publisher seems to be fighting animation. I'm chewing very deeply as "Ringling Lagrange" ....

Takeshi:
That's right, Mr. Hirota is the official writer.

Hiroshi:
But I was doing as an event or volunteer, so I'm doing it as a volunteer writer recently. That's why I will flow to my place. "I'd like to publish Lagrange 's book, though." "No, why do you come to me?", "Is Hirota's name credited, is not it?" But I do not have such authority, eventually I will talk to Production IG or Bandai Visual, but after all I say that it is an upper level, at the Production Committee, "Well, Mucc will send out Ms. Square" It is decided.

Five
Surely Lagrange did not seem to be a book of design.

Hiroshi:
That means you want to do it from the car styling.



Five
That project passed.

Hiroshi:
That was originally designed only ...... Although it was Mead Gundam a long time ago, I did not touch the story or anything, I just wanted to publish a book like "Mead Gundam" with a book chasing the transition of the design, as a producer of Production IG Said that Car Styling came in with that, there is probably a story like Maybe it's good to be awful. I guess.

Five
There are things that change margins and give out magazines. For example, although there is a movie directed by Hosoda Mamoru who is "the girl who leapt through time", a fine Mook is coming out of Kadokawa Shoten. There is an interview of cast and staff, it is a book that contains more fruitful information than pamphlets, but I wish there should be one such book. Even though there are three volumes of two volumes, I will only make an appointment. TIGER & amp; BUNNY recently, ...... This is my selfish guess, but at welcome, do not refuse. A book that is superimposed may not be useless, but it was also from Kadokawa Shoten and Gakken. That is OK, you can put out the book, it is not possible to say that people who judge saying "It would be better to have a lot of people spread out with a lot of things out" in the wind.

Hiroshi:
In the case of Sunrise there is something called Right Sales Department, so we manage all of the licenses and so on. That is where I manage the toys and garage kit, and the person in charge is decided. I am also in charge of TIGER & BUNNY, but go ahead and go for a donut feeling. If you think carefully, there are people like "This work is like this, that's not easy to do". So there is no need for the maker of the manufacturer to decide the fate of the book by what kind of person.

Five
When I return to the story of Mr. Hosoda a little while ago, "Summer Wars" has let me put out a book of a storyboard as my animation style, but differentiation can be achieved if it is a type. The book of the picture storyboard is also in the color of the publishing company even if it does not take out from Kadogawa bookstore, and the person who buys the storyboard will buy it, and it will not compete with Muc, that kind of thing I wonder if it is true that I can put out things.

Takeshi:
The one who comes out from another publishing company talks about being in the committee as well, so it is a case to put out with spreads by various publishing companies and places like so-called vested interests, only there You can split into two extremes, in case you want to do it.

Hiroshi:
There is a vested interest.

Takeshi:
There is (laugh)

Hiroshi:
I do not say anywhere. Why is not that all out? (Laugh)



Takeshi:
Oh yeah, well said. Well from the publisher.

Hiroshi:
Then you can not but give up.

Five
It is okay to come out with that, but sometimes there is a schedule to get out of there, "but it is refused as it is.

Takeshi:
I have only interests but I'm holding a pattern as it is.

Five
I agree.

How to engage with editors and creators

Hiroshi:
I recently started not to say that I wanted to make this anime mook out from myself, but sometimes an editor asked me "How is it?" Consultation comes, but "There is nothing hard to put out where the publisher is going, Are you saying "Are you?" "So change the concept and let's make it to the making-making side." That's why I'm going round "around waiting for half a year", but if it is half a year I will finish the animation! What. Almost now it's one cool, so when we begin animation publishers are already decided.

Takeshi:
There are times like that.

Hiroshi:
There are not many people who have not decided. How do you decide that?

Takeshi:
Publishers are decided there as long as they are in the committee. Otherwise, in the case of the original work or the like, there are times when we talk about that kind of thing like "Let's do it together" when pairing the seat group at the first stage.



Okay, for example, I think that it was "Ringing Pickup drum" if it was a recent work, but that thing was released from Gentosui like a starter book before it was broadcast and it was finished properly.

Takeshi:
I think that somehow probably the committee set up it.

Hiroshi:
Producer Mr. Ikeda is a person who cherishes the work very much, and I took a picture of Otona animation though. The thing that I am most worried about is getting up in design but it is said "Stop stopping this picture" (laugh) Although I understand there are various circumstances, we thought that this picture is good Because I do not put it in a meaning to give up separately, so I told you to understand, but I knew it.

Five
It is a very nice person to understand so.

Hiroshi:
Oh, something rarely, it seems like you'd be troubled if you say "I do not want you to cut it." In the worst case, I received a call from a magazine saying "If you put this picture on a magazine you can crush". Was it a publisher ... was it a magazine? Sometimes people are over there.

Takeshi:
There is hardly anyone who is like Mr. Hirota and an animation production company talking directly to each other when making this book.

Five
Do you mean that manufacturers are sandwiched between them?

Takeshi:
It looks so. So, there are cases where the intention of the manufacturer and the intention of the maker are already different from each other, there are cases when it differs further when going to the publishing company from there, there are times when it differs from the publishing company to the masses I mean. Recently, I think that it is pretty roundabout.

Five
It sounds like a message game.

Takeshi:
I think that it is related to such a place that distance to the creator was close in the past.

Hiroshi:
It was already over ten years ago that "crush you" said a little while ago, but that is not bad. There are not many people who will bump their hearts. The animator called me at 3 o'clock in the middle of the night and said that "I have not said such a thing" was told, but rather I can do so directly and understand and do fighting I think that it is a good thing. Rather than being made into a bad little talk, such as "That work was good" or "I'm glad that everybody was doing my best", it was a while, so it was a while ago "I was having trouble over there, If it seems like "I'm done", I feel "making" is amazing. But it is almost unforgivable right now, is not it?



Five
Even if the people of the main staff speak in general about the new special number or the like, everyone is cooperating properly with warmth and it is a feeling that they made good things, but it is because it is made by humans gathering, well, well, variously . Because we are gathering together this ... ....

Takeshi:
There is (laugh)

Five
Even if it makes such a magazine like this, it is a feeling that there is a problem, but it is done. Rather, it seems a bit like this, the director Yamakawa told the talk show that he is a service spirit, but certainly there are more people who do something that is okay.

Hiroshi:
After all it seems to be sweat dripping if you try from the production studio, so you do not want to be written by yourself without permission.

Takeshi:
No I think that it is more on the net than which way. I think that there are quite a lot of directors or other things like "It does not have to be written to you like that" due to the reaction of the net.

Hiroshi:
As I mentioned earlier, Mr. Takei and I have some association for some reason.

Takeshi:
Formerly, "Mai Mai Shinkai" I made a muff of my work. At that time the director was quite chewy enough.

Hiroshi:
At the last minute, when I'm on the run today, the director really wants to remove only one tree. I do not remember asking you, but saying "Please remove the trees." Tell him to stretch the picture of the tree for a month and persuade him by phone.



Takeshi:
It was very. Really, that time. I did it myself.

Five
Recently there are many things that animation works books do not go out easily.

bamboo,Hiroshi:
There are many.

Five
"Mai Mai Shinkako" is supposed to come out although it is not supposed to go out in the current flow, too, the book will finally come out. Mr. Hirota handled that book.

Hiroshi:
Did Mr. Takei pick up that?

Takeshi:
That is consensus. with everyone. Also, as for publisher, if you are Mr. Hirota.

Hiroshi:
That was very pleasant, but I wonder if I can be suspected ... ... "Because I finally wrote this book I was doing various things".

Five
It's really bad economic efficiency to do this because I want to write it (laugh)

Takeshi:
It is too bad (laugh)

Hiroshi:
That's why I wanted to increase the number of movie theaters that I screened, so I kept calling the cinema more and more. So, it was supposed to be done at a local cinema, so we joined them and did events as well. Then, "Mai Mai Shinko"KatoubuchiAnd I came (laugh) "Are you making black lagoon now?" It was relayed by Ustream and distributed candy to customers, but "Director, it is not the time to distribute sweets I guess. " But it is also interesting, is not it? It is like a person who likes his work too much and comes to the event and distributes sweets. It is made by humans, and there are many people. Some people are harsh, others talk service, I do not decorate interviews individually, but I'd like to write.

◆ How do you stick to anime books



Five
Ultimately, from the people who are making animation, books are good even if there is nothing. Because there are many things that can not be sold so much even if you publish an anime book. There is also a story that game strategy books can not be sold, but even if there are people who buy games, people who buy game strategy books are a good data geek, or a strange thing that they want information that is not there I think that there are many people there. With that, it is said that the book of animation is purchased by the good-taste ... .... In the past, it was worth it only if animation was broadcasted, something books will come out, but it has been worth it, but now that feeling is gone. From the standpoint of being involved in the editing of animation like myself, I want you to use various things and I want to tell various people about the story, there are things that I can and can not do, I think that there is a reality that priorities for animation books are dropping in manufacturers and anime producers, so I do not think you should not say too much.

Takeshi:
I also have a net. Because there is everything. now. Even though it is this, I guess.

Five
I agree.

Takeshi:
It can be done with such added value ... ....

Five
I was not involved, but at that time Nadeshiko was born with a plan but there were also twists and turns, and it was told that there were some adults' circumstances that were quite dull. As much time as this title is, it is a little written in magazines. That's the reason I can say such a thing as it took so much time to publish a book. Nadia or something, originally Mr. Hayao Miyazaki talked about writing a proposal, which was also typed somewhere, but since that is now also possible, it can be printed as type. It is the cooperation of editors and cooperation of the manufacturers and the cooperation of the creators who speak even after a long time.



Hiroshi:
I'm involved in several Mooks now, but in that case editorial production comes in and I am allocated like "doing this page". That's why I say "Please write this because I could write", "No, this is too assertion". Nobody who bought books likes animation and bought it, but I do not want to express ambiguous expressions such as "maybe" or "I wonder if this might be somehow". People who buy books like animation and paying 2000 yen or so, I think that you should definitely write definite information and have confidence in the world with confidence. However, people who make too many cartoons of animation are too afraid that "I write this kind of things will be shaken at the stage of supervision by manufacturers or productions". You only have to write confidently. With this, if it was trimmed by supervision, I persuaded that it would be okay to fill it properly. While thinking why I have to persuade. I am employed by you, you have more confidence. "No, I do not have any material," but if you say the material you will come out. Of course, if work occurs in production, money will be raised, but if there is a picture there, if the air of the fans gets excited, it should be there. So I was told that you should not put the deadly design, but by inserting the deadened design, you know that it has become this design through various processes. That person will enrich the book, is not it? I want everyone to think that culture is rich. At that time, I will talk to the manufacturer. It is told that you do not put anything that you have become dead, but I want you to understand. By saying that there were such things up to here, those who like that animation will love them more. I want you to feel that there are people who are thinking about various things. It always fights.

Five
I think that there is a way of thinking that it is better not to say such a thing if it is done at work so much, for example, because it is feeling that we make an animation book and buy it in speaking out of us Yes. If it fights too much, it is said to be all the chanches.

Hiroshi:
In short, it is different from letting a whole book like it, and people trying to make animation books are trying to be modestly as easy as possible, are not they? Especially in editing productions, "Noi Hirota, I'm afraid it 's gonna scrape away." "No, I do not care". If it says something when supervising it more than that, you can talk about it. I hate talking about it.

Takeshi:
Rather, those who had discussions will eventually fit. There are times when you get mad when you are told that "It is this place" although it is somewhat unknown, as a creator. I do not have a place to say "Why is it?" Rather than saying "I do not have enough cards because I do not have enough cards", but because there are such intentions, it is also a creator And since the producer is part of that, it will be like "Well it was it." However, that one task is pretty important, and if there is no such communication, it will become such book making that each other gradually becomes useless.



Hiroshi:
I am currently speaking like this, but I am not angry separately (laugh) "I'm sorry, I'd like to ask you in this way without fail" but I will listen to it properly, so I decided to give up before listening That is said at the work site. It can not be helped to say here though (laugh) If you shrink, the book itself shrinks and you will be sorry for the fans. As I have money bought, I will put as much painting as possible and let me post the information as much as possible. Because I like animation, I buy it for that anime, so I have to take care of fans people. That is work. In time for deadline, in time for the entry date, the book came out on the release date, it is not Happy ending! It is impossible to become an absolute book if you aim for it. Because I know it by experience. Even if I bought a book I made with a bullshit, the next day I will go to the bookstore in my neighborhood to sell it.

Five
I think that there are people who probably bought an animated cartoon or maybe in this, but I really do not know until I open it. I do not think there is much to be seen inside. Basic Because it is a human being making things of animation side, I think that it is good to have a lot of interviews, I think that it is good if I have many items I have not seen. As I said earlier, books are about 1 or 2 books per animation, so I think it is an opportunity to listen to valuable creators' voices or something, but if I buy it thinking it would be nice , There is a little introduction of each story, after that when the questionnaire is a little bit, there are things that it is personally disappointing.

Hiroshi:
There is something like an anime book template, about half of each story introduction, each character introduction is about half, and the back monochrome page is good in staff interview, is not it something like that being transmitted .

Takeshi:
Hahaha, feeling of deception.

Hiroshi:
In fact, the contents should change for each animation. It should not have been created for each animation. Just doing too much, "Tell me a bitch" is a story (laugh) I do not have a job, though.

Five
While doing things like temples a bit, something a little different.

Hiroshi:
Yes, there is a talk about each story, but I'd like to put somewhat blunt knowledge as well. I put a striking scene cut in here and try to make sure that the person you saw is "Oh, that story". Now you can understand the reaction of fans as well on the net. If it became "It was funny at that scene", it feathered the scenes hugely and in fact it seems that there was such a thing behind that scene. That will make it more interesting. I think that you should make books like that.

Five
That's true. There is a work called "Manabi Straight!", And it is original work, I think that it was made into a comic, though ....

Hiroshi:
Was not the comic ahead?



Five
I agree. It has a comic and it is also a flowing work that becomes an animation, and it also got me out of it from us. When we said "I want to put out such a book," but fortunately there was no talk from other places. Among those who have this person ...... (Look at the customers who raise their hands) Oh. You can tell from that, but you do not have any commentaries on each story. As it was quite short, there were not many color pages at that time because there was not much budget to make that book at that time, but instead of a color page there is a production document like a picture story and a lot of other interviews are on it . A work not directed by "Manabi Straight!", A person who is told that the series composition is a story director, a person drawing a lot of storyboards is a technical director. There are two people who are key animators, and there are people who are layout directors ...... There are lots of people who are named directors somehow, but I do not understand who the people are naming them I did it, but I made an interview, so that as I read the interview it gradually became clear that the person who gathered at the end saw it. It was also because the people like Kufuto who are hosting the gore ★ Assobies liked animation books from long ago. If the president of the studio is a person who has understanding so far when making a book on learning, there are still good and bad things to put on, but I did the utmost cooperation so I want to make a considerable part of what I'm thinking about making it. Every time I do not have that.

Hiroshi:
That is an ideal pattern.

Five
It was the best that I could sell it because it was not able to sell so much, so often, the commitment of such editors is not always happy for those who read it.

Hiroshi:
What the reader wants is that it may be thin depending on the animation, I wonder if there are also a lot of people who can follow the template. It is honest when the thought of this is running too much and it seems that it is better to go to templen as it is quiet than to become a book that I do not understand somewhat. If the girls are cute animation, people like copyright illustrations gathering a lot, or those with lots of pictures will be delighted.

Five
I agree. Even in the case of such books, you know whether people who like it are making it or not.

Takeshi:
There are occasions when creators tell a story to notice, but when I am seriously making, I will notice. Director who likes animation style ... ... Although it was so with Araki coach, so in that case, in such a case, I'd like to do it together, or talk about a good thing, it will be like that. Even at the time of submitting the materials, there are new discoveries, etc., when you publish materials of things you have not done anything until then. There are quite a few things that I really appreciate as a property of a studio in that sense because there are quite often everything that something like this came out when I was studio.

Five
If it comes in this book, that's precious, that's it.

Takeshi:
Yes, because there was a request from the other side, you know the preciousness. I am thankful for that.

◆ e-books and future magazines

Five
Perhaps I think it's almost gotten a good time, but ... Why are you asking a question? I do not know if I can answer or not. I will answer the range of what we can answer (lol)



Question:
How do you think e-books and magazines with extras should respond to.

Five
E-book ... Well. It is a personal interpretation .... I definitely think that it was a video studio, but I think that it is very good to be able to take original drawings and storyboards with an application that is about 300 yen per episode. But I think mostly something that is not sold so much for elec - ture ebooks. If it was for ladies it would be BL or male if it was for men, but something like that was sold, but I made a book that I sell so much with a major publisher, but it is not sold enough to surprise me. You can sell animated style things, if you put them out with e-books? It seems there is something to be said, but I personally can not sell it. I myself do not buy e-books so much. Also, Takarajimasha is famous if you are going to add a bonus, but that is main in that it is a defeat of a magazine in a sense, not a bonus. A magazine. If you are wearing bags for female fashion paper, bags are the main, read a magazine if you do not mind. There are also lonesome places from the making side, but honestly even monthly animated style, Nendoroid Petit is very popular. I was not familiar with figures and other things until I let them do it, but I think that there are people who would like to have a Nendoroid if they are not so strange, so if they are honest as well as those who are bought by Nendoroid Petit Mainly I think. If you read some people out of those who read a magazine, so that someone will wake up to pleasure then that is fine. The magazine is the main one, "I do not need such a figure" is bought by a person, I ask people to put them together as a person who wants to collect both figures, a good figure, an extra "or the like" So it is personal impression that perhaps the potential of the magazine is falling.

Hiroshi:
Although it is my opinion, although animation is digitized, I will first write it on paper. Even animations are traced in the monitor, but I will never lose the process of drawing on paper or drawing on paper. I am convinced that paper and book are compatible with each other. high.



Takeshi:
In the story of the video cinematist just before, I am a mad house, so it will be a production company, but I do not say that it is better for the production company to hand out e-books easier than to stop doing it , I think you have to consider it properly. Although it is a professional of animation, it is not a pro of making books, so for example, if it is an application for example, pretty publisher does not get involved, so we can make it, but if you make it popularly, There is a fear that it becomes a work of an amateur group completely coming out. I think that it must be a bit careful. There are things like expressing things that only the production company can do.

Five
I have Takei-san iPad, but it is very easy to see the storyboard on the iPad.

Takeshi:
Mr. Maruyama was also doing well.

Five
There seems to be someone who sees quite a lot in the production site, and in the old days I told him to show a storyboard by copy, but recently there are many things to come by PDF, PDF, like this It is easy to read.

Hiroshi:
The amount of original paintings used in the Ponyo exhibition on the cliff recently is very large, as it is seen, it is huge! It will be. I guess you can not do animation anymore. As I saw animator drawing with a pencil on paper I was really impressed. As long as the process of drafting by hand is not lost, I think that paper is more compatible, I do not think so.

Five
With that kind of feeling. If someone else has another one or two questions.

◆ Regional events that can be confused

Question:
I think there is something you can talk about because it is a local event, but do you have something to expect from local events?

Five
Well, this meeting itself, geez ★ If it is not Association, is not it? Perhaps, if you listen to the story here, I believe that you will not tweet a stubborn story with Twitter and do not mutter, so I can talk but I can talk (lol) If it is an event in Tokyo or more I have to raise it, but I think that gossip ★ Assortment has not been up to now.



Takeshi:
I do not think so.

Five
Even if not only us but the producers are making ridiculous remarks, they will not talk much in the bad meaning on the net.

Customer:
Is not it because the president says "First off, everyone, everybody has the power to kill people"?

Five
Because it is a story of trust to the last, I think that the person who writes will write.

Hiroshi:
I recently came to Machi ★ Asobi every time and I try to talk somehow, but my feelings change somewhere. There were many things to talk on the summit of Mt. Bizan, but my feelings are released and tell me what I should not say. Today it got hotter than usual (lol) Because the air in Tokyo is still cold, even if we set up a similar seat in Tokyo (laugh) That's why I like this I think that the event should spread more and more from Tokyo and the animation company is also here, but I think that it is good to spread all over Japan not only here.

Takeshi:
I think that the production company does not come here to speak and talking, so I hope that it will change accordingly. As there are so many manufacturers coming after all, if the production company can talk in such a place, it will become possible to listen to live voice, is not it?

Five
I think that probably will not come out of anime style, but I've been thinking for a long time as to whether I can not get out of books of Ashibi. When I go out with books, I think people who are nationwide also know that they have "gore assobi". Recently I've been doing featured programs on TV after gore ★ Asobi has finished, but I wish there would be something like going to general bookstores anyway. This is a guide book of Machi ★ Asobi, but it's not like this, so I told my grandfather or grandma at home "I'd like to say" "Machi ★ Asobi" at these kinds of events " I think.



Hiroshi:
This time I brought a producer of Production IG, but did not explain it, just saying "I can tell if I come" (laugh) I took a Lagrange lecture, but the voice actor was Satomi Moriya, Moriya Mr. Atsubi got out last time. "Let me leave ashbi to me". But, as a role, I came out one scene once and it is over, right? Such an event Tokyo is not possible. In Tokyo it will be the leading voice actor. That is the sanity of Tokyo. Because it was rural it was possible.

Five
Was it all right with this feeling? Thank you very much.