These people who are making "Fate / stay night", stuff talk event · second part

What kind of staff are making the TV animation "Fate / stay night" which starts broadcasting on Saturday, October 4, 2014,PrequelThe situation of the latter half of the event where young man original man, video inspection, filming (digital team), art director, color design, production progress and a wide range of posters entered was like this.

Fate / Zero ~ stay night Cafe 【4th term】 summer vacation event 3 Fate / stay night TV animation production staff talk event
http://www.ufotable.com/cafe/tokyo/gallery/fate_zerosn_cafe/event.html#event_talk

·table of contents
【Part 1】
◆ Part 1: Director · Takahiro Miura & Character Design · Director General Director · Yude Sudo
◆ Part 2: Director, Takashi Sushara & Director of Screening · Takuya Aoki
◆ Part 3: Original Picture, Mitsuru Funai & Original Picture, Masayuki Kunihiro & Director, Toshiyuki Shirai
【Part 2】
◆ Part 4: Original picture · Masaharu Oyama & original picture · Masashi Takeuchi & original picture · Takashi Umeda
◆ Part 5: Video inspection · Yoshika Kameya & video inspection · Moe Tsuzuki & video inspection · Shinya Shimomura
◆ Part 6: Director of Photography · Yuichi Terao & Photographer · Kazuki Nishiwaki & Photographer · Masato Takizawa
◆ Part 7: Art Director, Koji Eto and Color Design · Mika Matsuoka & Progressing · Ryo Kondo

◆ Part 4: Original picture · Masaharu Oyama & original picture · Masashi Takeuchi & original picture · Takashi Umeda
Kondo:
Next is the young zone. The age is about 30 years old, where fat greets. Three people, Miura-kun is serious and often gives ridiculous cuts to the ground.

Takahashi:
It is Omikata of the original picture, please.

Kondo:
Where Ozama did, where is PV?

Original picture Mr. Shogo Oyama (Oyama):
Only for a moment, Rin 's scene. (Watching PV) Oh, here too.

Kondo:
It was a bit scary scene.

Oyama:
Where I worked hard is not used in PV "Why is it!" Like (laugh).


Kondo:
Oyama-kun is GOD EATER 2, is it okay to say actions or mechanical? ...

Oyama:
It is drawing of weapons.

Kondo:
It is him who drew a crap.

Oyama:
Although I say young people are 30 years old, I call Koyama who is doing the original picture. Thank you.

Original picture Masashi Takeuchi (hereinafter Takeuchi):
I am talking about Mr. Takeuchi who is drawing umami and original drawings every day with ufotable. Thank you.

Kondo:
This is a member who is troublesome, has a hard cut, is a member who is being touched by a painful place (lol) Umeda-kun, please.

Original picture Takashi Umeda (Umeda):
Yes, it is Umeda of the original picture. Thank you.

Kondo:
He likes the effect very much and he draws a painful effect all the while.

Umeda:
I am drawn to explode only.

Kondo:
Although I can not say the title, there was an action lasting 6 seconds in a game OP, but that is the heaviest guy.

Umeda:
That was ... a pretty painful job ... Due to temporal restrictions, I worked hard to the extent that I could do it ... ... it was serious.

Kondo:
I thought and thought that it was an exertion.

Takahashi:
The place where the picture is actually drawn in the place of the young, middle-sized original picture Okami. I will take charge of the original picture on a cut unit basis, but can I choose this by themselves? Or is it handed "this"? Do you have any character or scene characteristic you are in charge of?

Oyama:
Basically I got a storyboard saying "Please do it here" and say "I understand".

Kondo:
Everyone has a long relationship, so the scene called "I want to do it here" and the scene to be passed are not so shifted.

Oyama:
I agree…….

Kondo:
Of course, I think that Kunihiro-kun took action scenes.

Takahashi:
What kind of scene is Mr. Koyama a lot?

Oyama:
Rin and Shiro well. Because there are many turns .... I think that I am easy to shake the moving place. Although a plain play is spared as well.

Takahashi:
Rinji Shiro draws it, is it difficult or is it fun?

Oyama:
Rin is feeling that it is difficult for hair to snore. Because it is not straight as a character design and the tip is made into a crumb, it struggles with long hair and long hair.

Takahashi:
Next, Ms. Takeuchi.

Takeuchi
I am not in charge of specific characters, but they are being turned around a little troublesome feeling in various story numbers. It's an assassin that's fun to draw.


Takahashi:
Although I am spending day to day for television broadcasting, what kind of scenes are heavy cuts and difficult cuts?

Takeuchi
For example, I feel that it is troublesome to process or there are many troublesome cuts of cell work. I feel that a lot of cuts that have to change the overlap of cells can not be clearly drawn.

Takahashi:
Is there something that makes it a good thing to work out time and labor, Mr. Kondo?

Kondo:
I guess Miura was sure to want to have fun (lol), if you shake it to Takeuchi-kun, it would do something. In that sense I heard the story that Miura-kun pretty much trusts. And, if Takeuchi-kun takes care of it in plain sight, Umeda-kun is fancy and troublesome.

Umeda:
Well, there are a lot of things I'm going to work for the troublesome task of understanding.

Kondo:
In "Yoyonene", he did a lot of work with the place where the huge Bihak is running up. How long did you do?

Umeda:
But it is about a week in total?

Kondo:
Ah, the troublesome thing is Umeda-kun. What about Fate?

Umeda:
It's a strange story, I have not drawn people for the past three weeks (laugh). That's why I can say that the thing that I drew recently is "I blew out the wall with a bomb." It is such a serious place.

Kondo:
That kind of role zone is not it? (Lol)

Umeda:
Maybe Miura likes to destroy things with drawing. So I told you to "do it", thinking that it is tough and consulting it will say "Doing?" Again, so it's like deciding on the matter.


Takahashi:
Stay night is pretty much broken because of the battle between servants.

Umeda:
Well, the broken memory is full.

Takahashi:
When it comes to the screen, it is an important scene when including flashy and persuasive power of action.

Kondo:
It is important and it is hard for the director to repair the cut that the wall explodes, so it is not easy to blow up, so in that sense the bomb cut is often the picture that Umeda drew as it is. In that sense it is serious responsibility.

Umeda:
I think that it is worthwhile, I am working on my daily work.

Kondo:
Rinya Shiro is doing it because the drawing director unifies, but there are places where specialists should do the explosion, so it looks like a monolithic specialist. Takeuchi-kun is a plain system, does not it make it go up the stairs or vertical movement?

Takeuchi
Well, Rin got down the stairs.

Kondo:
There is a braid line and I can not repeat. Besides, we do it real, so it's tough. How is that cut cut?

Takeuchi
Since I think that I will do it firmly despite being plain, I will let you do it happily.

Kondo:
Oh, in a nice opinion. When I get something I will remember my word well, are not you?

Takahashi:
The moment suddenly returning from the moderator to the president suddenly (laugh)

Kondo:
I got a very nice word and I have to remember it.

Takahashi:
Mr. Oyama, Mr. Takeuchi, Umeda-san, I hope you remember. Well then please last one word at a time.

Oyama:
When I was "Fate / Zero" I was a newcomer, so there were many things I could not do if I wanted to do it, but this time I would like to do my best to be able to do what I want to do properly. It was Oyama.

Takeuchi
There are many things that makes me want to do the place I want to do, but since I am thinking that I will do my best every day, please expect everyone. It was Mr. Takeuchi.

Umeda:
I am trying to do what I want to do and I am happy that I will do my best to make it so that the screen looks beautiful. Umeda Takashi, thank you.

Kondo:
If something goes down, "Oh, Umeda - kun?", Or if Rin walked down the stairs, "Takeuchi kun kana?", Three people even thought of that way ... ...

Oyama:
(Point to yourself)

Kondo:
Koyama is what you do, it is an image of a mechanic. Fate does not come up with a mecha so much.

Oyama:
Recently, I draw a chain of riders.

Kondo:
Ah ... ... sorry for the trouble.

Oyama:
It's amazingly fun.

Kondo:
So, when the riders' chains come out, Koyama? I thought that.

Takahashi:
Thank you, Mikata.

◆ Part 5: Video inspection · Yoshika Kameya & video inspection · Moe Tsuzuki & video inspection · Shinya Shimomura
Kondo:
Only men continued, so I would like to have a girl here. Shimomura-kun also exists.

Takahashi:
There are three remaining camps. The fifth camp is to examine video, checking if the picture is actually connected. Kameya-san, Tsuzuki-san, Shimomura-san. Please welcome with a clap.

Kondo:
It is quite rare that excursions will appear in such places, but how is it? How about going by saying stay night?

Video inspection Kashita Yoshimi (Kameya):
It is Kameya Kosumi who is in charge of video inspection. The animation inspection is trying to check it so that it becomes a proper one as a picture although it is animation so as not to destroy the cool original painted by the original picture with the animation. I think that there are people watching the animation by frame-by-frame, but even at that time, it is work of animation inspection to check that each picture is a beautiful picture properly.


Kondo:
Kameya-san is so fine that it is very hard. The person himself says that he does not do anything serious but if he is around, he is scared ....

Kameya:
I am not afraid, I am not scared!

(Venue lol)

Kondo:
Even at the time of Yoyonane I also tried a beautiful exercise until the end, so I told the credit to make it an opening, so stay night came today to say that stay night will try hard.

Video inspection Mr. Tsuzuki Tsuzuki (hereinafter, Tsuzuki):
It is a construction of animation inspection. A cute little girl comes out at stay night so I will try my hard.

Kondo:
Tsuzuki likes cute girls, she always draws a pretty girl. Let's go down to Shimomura-kun.

Video examination Shinya Shimomura (Shimomura):
I am Shimomura who is doing animation inspection. I think that video inspection is a less familiar work, but since I think that it is an important job, I'm thinking that I want to work hard and try hard. Thank you.

Kondo:
It is a feeling that the original picture is doing a little though it puts emphasis on the investigation.

Takahashi:
By doing video inspection, I am in charge of cutting up the picture as a cut.

Kondo:
It is a premise that there is a cool picture of the original picture, but it is a movie to appear on the screen, clean up and divide it halfway. The pictures that they drew at that time will come out, so if that is not beautiful, it's where the original picture will do as much as you want.

Takahashi:
It connects and it becomes 1 cut 1 scene, it is also checking and it is active also in drawing people Okitsuka. Kamiya-san interviewed me when I was "Fate / Zero", are there scenes and characters that I took as a video test, I thought it was fun, recent work?

Kondo:
Which character is the hardest? Including parts and so on.

Kameya:
After all there are many lines as it becomes a servant, so the servant is serious. Berserker will turn black, but the lines are actually quite a lot ....

Kondo:
Berserker will soon become backlighting (laugh). To show an intimidating feeling. However, I draw back light after I draw it properly, so I will do it properly as a line.

Takahashi:
Mr. Tsuzuki, did you think that it was a nice feeling with checked characters and servants?

Tsuzuki
I think that Rin is cute as a whole. Mr. Tabata is a person who draws a pretty girl that is not in ufotable, so I thought it was fresh.

Takahashi:
How about Mr. Kondo looking at Rin who has been examined?

Kondo:
I am interesting to see it because I know the personality of drawing. Whose Rin do you like? Whose original is good?

Tsuzuki
Mr. Oyama 's cut Rin - chan is cute in those who came today.

(Mr. Koyama who is listening at the corner is pleased)

Kondo:
That is really nice. But there are actually such things, everyone 's Rin is cute.

Kameya:
I recently divided Rin-chan of Mr. Kikuchi, but the original picture is very cute.

Kondo:
Kikuchi-kun did a drawing director of "The sky boundary future gospel", and this time it is included as an original picture. It is very rich that Kikuchi-kun is in the original picture. Ogasawara who did a charade with "Manabi Straight" also draws Rin well.

Shimomura:
I think that Berserker is muscular and cool.

Kondo:
Because Berserker has a special way of doing it, it is a level you want to expect. It is 2 to 3 cuts that comes out to PV now, but Miura-kun draws a hard container (laugh), so it's been amazing.

Takahashi:
Now the name of Berserker comes out, is there a servant who felt Shimomura-san "cool" with other servants, feeling lively and moving?

Shimomura:
I said recently that it is a rider.

Kondo:
Ozama talked about the chain of the rider a while ago, but the movie is hard. It feels like you can forgive videos of riders' chains. Because it is a guy who is connected not one but one but properly one by one, and also puts one shadow one by one, right?

Shimomura:
Yes, because Mr. Koyama makes corrections in that way.

Takahashi:
It's tough as a picture that the chain moves without discomfort.

Shimomura:
Well, it's tough to paint it unexpectedly.

Kondo:
I think it's super hard instead of surprising. Because I will not be able to see the chain just by a while. Well then, are you going to last in a word?


Kameya:
Now that I'm still doing my best on video I'm still doing my best, so I'm afraid I'm going to work hard as my eyes are recently focused on my work as a video.

Kondo:
There is a point that it is hard to understand the section called a movie, but I hope you can pay attention to it. The work is superb.

Kameya:
Well, it is common that you have to draw ten lines between 1 mm, and if you fail it it will be a boggy movie so I check it one by one not to do it.

Kondo:
There is a thing that the line does not enter even if it says "Please cut ten sheets in the meantime." These three people are doing that one by one.

Tsuzuki
I would like to keep doing my best with beautiful videos, even one cut, and movie man, so please wait expecting everyone.

Shimomura:
I think that a scenic scene is a flashy moving scene, but it is a scene that does not work unexpectedly in movies, so if such a scene is also beautiful, you can think that "You are doing your best, Mr. Movie" I think so.

◆ Part 6: Director of Photography · Yuichi Terao & Photographer · Kazuki Nishiwaki & Photographer · Masato Takizawa
Takahashi:
Next is the sixth camp, shooting and 3DCG.

Kondo:
I am calling it a digital team.

Takahashi:
Mr. Nishiwaki of Mr. Digital team, Mr. Takizawa, Mr. Terao.

Shoot Nishiwaki Kazuki (Nishiwaki):
Everyone This is Nishiideki who is doing photography with CG at the shooting department. Thank you.

Kondo:
Nishiwaki-kun is easy to understand, "Fate / Zero" next time warning of the next notice is his job. Unlimited Blade Works' cloud of PV is also his job. It is such a sober work.

Mr. Masato Takizawa (Takizawa):
I am doing shooting with 3DCG at the shooting department, I say Mr. Takizawa. Thank you.

Kondo:
Takizawa-kun has somewhere easy to understand about PV plays?

Takizawa:
I modeled all the busts and busts that appear on PV.

Kondo:
It's like a chess piece, it came out on the first PV.

Takizawa:
Yes, afterwards Heaven's Feel's PV is also used.

Kondo:
Speaking of which, Heaven's Feel 's PV was not shed, so let' s stream it here. Since Heaven's Feel is full of stories that I can not speak, I was thinking I should stop shedding (laugh)


That is why Takizawa was in charge of modeling the statue of each class lining behind this Heaven's Feel's PV scene.

"Fate / stay night" Heaven's Feel PV01 - YouTube


Kondo:
It is Takizawa-kun who made a single body model.

Takahashi:
In addition, "Fate / Zero" was in charge of Berserker. And then Mr. Terao.

Director of Photography Director Yuichi Terio (hereinafter, Terao):
I am Mr. Terao who is doing the Director of Photography. In terms of work, for example, when there is Saber and there is Kanpo church behind, I am doing work that arranges the nuances of light after synthesizing two materials. Thank you.

Takahashi:
First, Mr. Nishiwaki, what do you do about daily production of TV animation?

Kondo:
The range of work in the digital department is getting wider. From making such a material ... ....

Nishi Waki:
Well, it is increasing in the category of CG, and photography is also a job of doing all cuts something.

Kondo:
There are times when I make a layout with CG and I make motion.

Nishi Waki:
3D layout, character motion, attaching 3D motion to the camera, various kinds of effects ... ... anything.

Kondo:
Is Nishiwaki-kun's job a lot of layout?

Nishi Waki:
While doing the layout main now, I also do camera work and effects of the cut unit, I also do something like CG cut management of the team. I feel like a manager or an intermediate manager.

Kondo:
How is Takizawa - kun, the role sharing?

Takizawa:
I have not got so many numbers yet, but if it is a big place now I will destroy the fence and put out the beam.

Kondo:
You are doing a specialist job, do not you? If it is the work of recent Takizawa-kun, they may not have seen much, but "Orange.He did quite a bit of opening.

Takizawa:
Yes, I did a whole round.

Takahashi:
Mr. Terao, what kind of work do you do on a daily basis as a film director?

Terao:
What I am doing every day is the same as Miura's director and so on, although director and architects each talk, since there is only one team and one director for photography, all the stories Cut is gathering at my hand. It is now a few meters high, but I am doing a job of checking each one one by one and checking whether there is no missing or not and making a picture .

Kondo:
The quantity is amazing, how long will it be ... ....

Terao:
HDD ... .... about 10 TB.

Kondo:
That management and what to do with the filename is not it?

Terao:
A take takes place every cut, I shoot one cut about 5 people, but I make ver7 or 8, do not you think? Because it has hundreds of cuts, the number of files will quickly become one million. In order to manage it so as not to lose it efficiently, I use file management tools for internal use.

Kondo:
I do not know without doing that.

Takahashi:
There is stacking as "sky boundary" "Fate / Zero" "Fate / stay night", but how do you approach it, how are you approaching?

Terao:
I think that there is an image of a work called Fate, but I think that it would be nice to be a polite item that made it properly, that it is a luxury sense, or that you can think "I do not have a good one". In addition, in addition to that, I am thinking that if I become an image that looks great, watching and enhances my feelings.

Takahashi:
Mr. Takizawa, after Zero as yourself, how do you try to stay night?

Takizawa:
I think that "Fate / Zero" had quite a lot of flashy images. In 14 episodes there are explosions and flying in the sky.

Kondo:
Zero is OK as a CG, Mr. Caster gets big.

Takizawa:
That's right. But I think that it would be good if the hand enters and it becomes a spectacular picture even though it is not such big war this time.

Kondo:
That's right, stay night may be more plain as CG. Drawing is overwhelmingly flashy, though.

Takizawa:
CG is not flashy, but I think if you can do something that is stunning.

Takahashi:
Mr. Nishiwaki, if there is a resolution for stay night as well.

Nishi Waki:
I think that there are fans of stay night and some who entered from Zero in the series called Fate. I think that I will make something like that to those who like "let's say this is Fate" after stepping into the content as well as the flashy of the image.


Takahashi:
How about Mr. Kondo watching the cut that came up?

Kondo:
It is exactly as it is seen because the main part is moving with PV. There is no one for PV for a PV because there is none, so it remains the same.

Takahashi:
It is a terrible image that that is on TV, how is it?

Terao:
It is as Mr. Kondo talked about, but PV is a start as my feelings, I am thinking that I want to go even more and I am working. I am doing PV, there are more amazing cuts, but I wonder if it is better to have fun with this story.

Kondo:
Oh yeah, leaving it to Yuma-kun and Terao-kun, I will give you a nice cut and I will stop (laugh)

Takahashi:
Well (laugh) I'd like to consult with Mr. Terio "What kind of PV should I make?", But we are going to put out a good cut as we want to do it.

Terao:
I want to show you as soon as possible (lol)

Kondo:
In the current animation making process, the work width of the digital department has increased steadily, the quantity has increased, and it became a serious section.

Terao:
I think that opportunities to reconsider from the first what to do with CG have increased.

Kondo:
How the digital department relates has changed for each work. Especially, I think that Nishiwaki and Takizawa come because they think that it will become a member who will come out more and more from now. I hope you will remember your name face.

Terao:
There is a feeling that ufotable is evolving constantly, and I want to go higher than Zero by saying "From the sky boundary" to "Fate / Zero" and then to "Fate / stay night" I am challenging to make it. Please look forward to it.

Takizawa:
I am a fresh newcomer who just entered when Zero began and I think that my skill has certainly risen ahead of the past several years since then I think that Zero will surely make a better picture. Thank you for your continued support.

Kondo:
I think Takizawa-kun will make about Godzilla.

Takizawa:
Hurdle is too high (laugh)

Nishi Waki:
First of all, I'd like to create works that fans willingly give us. Since I also like the story called Fate, I work hard with the feeling that I would like to approach the fans' eyes and approach from the image side. Thank you.

◆ Part 7: Art Director, Koji Eto and Color Design · Mika Matsuoka & Progressing · Ryo Kondo
Takahashi:
At the end, we are going to Mikata on the mixing team and the different section.

Kondo:
How is Mr. Eto, this kind of place?

Art director Koji Eto (hereafter Eto):
I am not used to it.

Kondo:
Mr. Eto worked as an art director, and he did the sixth chapter and the seventh chapter "Empty boundary future gospel".

Eto:
This is Mr. Eto who is doing background art director. I am indebted to you from the sky boundary and I would like to continue to engage in ufotable works from now on, so thank you.

Kondo:
Right now I see a good cut behind.


Eto:
Due to the power of 3D, the light of the car was put in by Mr. 3D, but it is more realistic in the background and shooting.

Kondo:
Even if the animation of today is amazing just the background, it is useless if only the digital alone is terrible.

Eto:
Well, it's a bit unsatisfactory if you only have a background stop pictures. It will be amazing when adding light there.

Takahashi:
Next, Mr. Matsuoka please.

Color design Mika Matsuoka (Matsuoka):
I am Matsuoka of color design. The color design is work of color relationship doing with two people with Emi Chiba.

Progress Progress Ryo Kondo (Ryo)
I am Mr. Kondo who is making progress. As a job, it is somewhat different from many of our staff who are called here today, the staff of the staff, as long as you are doing things like servants, the results of various staffs working It is a job to connect to the next section.

Kondo:
Although it is progressing, it is, so to speak, the production manager. He's sweating in this Fate, is he doing it.

Takahashi:
Well, I hope to hear each specific work. First of all, Mr. Eto, how are you going to do the art of stay night?

Eto:
I think that the sky boundary and Fate / Zero were fairly realistic and heavy in reality, and it was a dark work for the atmosphere. Stay night has some parts like school girls, certainly being real but wanting to be more vibrant, more like a picture of anime.

Kondo:
Now he is challenging even more difficult things, from the point of "increasing the sense of richness of the screen with detail", he is trying to draw things in depth or "face".

Eto:
To tell the truth, on the contrary the detail says to the staff to be somewhat crushed, there is a thing that I want to show the face and show it in color.

Takahashi:
PV is flowing right now, is there a part easy to understand with PV cut?

Eto:
If it is PV, it is the place of the building group ...

"TV animation "Fate / stay night" 3rd PVThe scene of this group of buildings comes out at 1 minute 26 seconds.


Eto:
In this case, I have drawn every corner back to the front, but I think that I do not know where to look if the human eyes are all drawn. Since I was told that it was "SF" from the director this time, I am doing it centrally in the face and the light of the window etc in this time. Actually, I do not draw a shadow on the side part and I adopt a method of expressing a solid only with light.

Kondo:
This time I cherish the overall stereoscopic feeling.

Eto:
Well, at the boundary of the sky I have drawn it in the shadows.

Kondo:
Is the sixth chapter the most painted?

Eto:
It seems a little disgusting when I see it now (laugh). I drew too much and I drew it but I told that I can only see photos (bitter smile), I feel it is useless, I feel more like a picture.

Kondo:
It's not bad at all (laugh), is that it's going to evolve further? The art in Chapter VI was amazing.

Eto:
Thank you very much, I did it desperately.

Takahashi:
Is it a feeling you can do good for October broadcasting?

Eto:
I am still in trial and error, but when I see my picture on the next day I look bad and I draw back and draw back and it is not a complete form yet. I'd like to do better than Zero or the sky boundary for a while.

Kondo:
Is it a horrible world? I am doing it in a place not related to television or a theater now.

Eto:
I, the theater and TV all do with the same quality, so everyone is saying Hehy, making me feel terrible (laugh). But, I think quality is better than the boundary of the sky.


Takahashi:
And then Mr. Matsuoka. Color design is a job of deciding colors, but what kind of work do you do at stay night concretely?

Matsuoka:
It is my job to match the character to the background and decide the color of the character at night, in the evening if it is in the morning, in the evening and in the evening, designate it as the color designation person.

Kondo:
There is also a color design called "Chiba" which I'm doing from "Cosmos dwelling in the city", so this time I'm doing double in this time. how is it?

Matsuoka:
Is difficult. I am doing my best not to disturb Chiba 's atmosphere.

Takahashi:
And Mr. Kondo, Mr. Ryo Kondo.

Kondo:
I am not my brother.

Takahashi:
Kondo-san is not related. What kind of work do you do on a daily basis as a production?

Ryo:
The best job is to arrange the environment so that everyone in the staff is comfortable and able to concentrate on quality upgrading, which is to prepare the schedule properly, for example to set the location for taking pictures that you would like to refer to when making cuts We do the setting of, etc., and we do it one by one individually.

Kondo:
He is doing such adjustment whether to take another day of dubbing or trying to shift the cutting for a week if the bowl moves slightly. It will be tough to have a job done. I have been working on it all the time, but it is painful that I can not adjust my work for my convenience. Since it is a work that keeps fitting around, even if the contest scheduled to rise at 5 o'clock in the evening will be at 12 o'clock, we have to do.

Takahashi:
From my standpoint of advertising, I often have consultation with Ryo. The positions are different, but what do you want the three people to see from Kondo's perspective?

Kondo:
Although sections are too different, Mr. Eto's art is overwhelming and we are doing it thinking "Do you do this on television?" Even Mr. Ebisawa who is a veteran than he is doing with Mr. Eto together, but everyone is serious. Regarding Mr. Eto, how to keep this overwhelming quality to the last battle. I do not feel like dropping the quality at all.

Eto:
Well, as long as you have physical strength.

Kondo:
So it is encouraging for Mr. Eto to stay. It's one of the foundations of Fate's painting.

Takahashi:
Actually, the background occupies a large proportion on the screen. In the place of Mr. Matsuoka's color, what part do you want to look forward to?

Kondo:
Finishing is a tough one. If art comes up first, adjust it accordingly, when the art is behind schedule and you have to shoot it for the time being, I will turn it back and adjust it again later. There is no clue. How come the color design of the TV series?

Matsuoka:
It is a person who is easy to do in the work I did so, because it is my favorite color.


Takahashi:
Do you decide the color for each scene and do you touch with a lot of characters to touch?

Kondo:
Which character do you like?

Matsuoka:
Who, who is still so much now, is not it?

Takahashi:
Next, Mr. Ryo.

Kondo:
Who is your favorite character?

Ryo:
Is it my favorite? I like caster.

Kondo:
is that so. Ryo Kondo is thinking "I'm alright" when I saw cup noodle MEGA at 2 o'clock in the middle of the night.

Ryo:
I have gotten a little thin since I started stay night.

Takahashi:
Three people who are working differently, people who are indispensable in making screens.

Kondo:
Especially the production manager is the only position involved from the beginning to the end in making a work, so I think I can diet further from here.

Ryo:
Yes, I will narrow down.

Takahashi:
Well, I'd like to receive one more word again.

Eto:
Everyone thinks that I do not see the background much, but this time I look at it, since I was writing up to Zero, there is a prospect that I want to be impressed or beautiful. Zero had a lot of night scenes, but stay night has many light scenes in everyday life, so I am paying attention to the beautiful color, so I would appreciate it if you can see it.

Matsuoka:
Although the atmosphere and the atmosphere are slightly different from Zero, I would like to try hard to raise the color so that the characters that are dark and invisible will be able to be seen as much as possible, so that they can be delivered to everyone with beautiful colors.

Ryo:
Anyway, since all the staff are making heartfelt, I am filled with the feeling that I can look forward to the airing.

Takahashi:
Thank you very much.

Kondo:
Today I introduced 20 staff, but I am making one anime with over 10 times this number. You do not have to worry about such things when you are watching, but I think staff are happy if you know that these people are involved.

Takahashi:
So I would like to join the flow for present lottery as it is a little thanks for everyone who came.

So at the end of the event a gift competition was held.


Takahashi:
In the end, Mr. Kondo, please.

Kondo:
As Mr. Eto of the art director said earlier, I was thinking that I wanted to see everyone as soon as I wanted to make "Fate / stay night" rather than television or theater, or something I wanted to wait Since I am making it, I'd like to have October together with me. The stay night cafe will continue as it is, so if you are greeted me as saying well. In a noticeable place, the event called Asobi in Tokushima is a climax run on October 11th - 13th. From the end of September I will do animation Jack etc. at the airport as the first run. I am thinking that "Fate / stay night festival" will be done, so I hope that you can get together in Tokushima and I can not wait any longer. I think that the staff is doing their best, I would be excited about including me and Yuma-kun and everyone else. Today, it was an event like introduction of staff like this But is it thought that it was good?

(Clapping at the venue)

Kondo:
Since they are doing their best, they think that they want to remember their face and name, and I think that I can do something again after the end.

Takahashi:
Since everyone's support will surely arrive at the producer, I think that we can make good works together. As above, we will end the ufotable present, "Fate / stay night" staff talk event. Thank you so late.

TV animation "Fate / stay night" starts broadcasting nationwide on TOKYO MX and others from October 4 (Saturday) at 24 o'clock. Since there is broadcasting at BS11, if you have a BS viewing environment you can see it anywhere in the country, and delivery will also be done at niconico from 25 o'clock on the broadcast day.

"Fate / stay night" TV anime official website
http://www.fate-sn.com/

TV animation "Fate / stay night" PV 3rd - YouTube


In addition, it is also decided to convert the theater "Animation of Heaven's Feel" which is different from the one drawn on television, so please look forward to it as well.